Showing posts with label Olympus. Show all posts
Showing posts with label Olympus. Show all posts

Monday, March 18, 2013

Olympus Digital Camera PEN E-PL5 Interchangeable lens Review

Olympus Digital Camera PEN E-PL5 Interchangeable lens Review


 For users upgrading from a simple point-and-shoot to an interchangeable lens camera, the Olympus PEN Lite E-PL5 is a very good model to transition to. Out of the box, the E-PL5 takes great photos. It does take time, however, to learn some of the features of the camera, for which there are plenty.

Lots of settings and a deep menu mean there’s much to explore with the camera, but users entering the ILC category for the first time will discover new ways to shoot with this Micro Four Thirds variant. Compared to a few other cameras in the MFT category, the E-PL5 offers a lot of features for a decent price of $699 with a 14-42mm kit lens ($650 for body alone), although it isn’t the most affordable mirrorless camera you can buy.

Features and design



The E-PL5 has a simple design that doesn’t vary a whole lot from other cameras in the PEN series; while it doesn’t have as much of a retro styling as the E-P3, the similar classic cues are noticeable. But the fact that it’s a slimmed-down mirrorless camera that offers many of the benefits of a larger DSLR is a welcome feature – just don’t expect it to work exactly like a DSLR. If you’ve ever lugged around a cumbersome camera on your most recent vacations and outings, you will immediately appreciate the E-PL5’s smaller size and lighter weight. The camera weighs in at less than 16 ounces, so it’s much easier to tote. But its Live MOS sensor is larger than a typical point-and-shoot, allowing it to capture better image quality (although smaller than that of a compact DSLR or mirrorless offerings from Sony and Canon). As an interchangeable lens camera, you have a selection of Micro Four Thirds lenses – from macro to super-telephoto – to choose from, which enhances the types of photos you can shoot while retaining a user experience not unlike a point-and-shoot camera.

Like high-end luxury cars with features that eventually trickle down to affordable models, the E-PM2 has some of the features found in the more expensive but excellent O-MD E-M5, such as the sensor and autofocusing system (but not the 5-axis image stabilization). The feature set in the E-PL5 is comparable to other cameras in its class, including Olympus’ PEN Mini E-PM2. Don’t be surprised if you do a double take: the E-PL5 and the E-PM2 are nearly identical in looks and features. Both cameras have the same 16-megapixel Live MOS Micro Four Thirds sensor; TruePic VI image processor; 200-25,600 ISO; 1/4000-to-60-second shutter speed; 1080i high-def video recording, 460k dot 3-inch touchscreen LCD; creative filters; dust reduction system; in-body image stabilization; and burst shooting of up to 8 frames per second. Neither camera has a built-in flash; instead, Olympus includes a small, detachable flash that slips into the hot shoe. There’s no viewfinder, just live view through the LCD.

What the E-PL5 has that the E-PM2 doesn’t is a tilting LCD (up to 170 degrees), a mode dial, a larger grip that comes off the camera body if you want to shave a few grams, and a few more function buttons. If you can live without those extras, save yourself $100 and go with the E-PM2. We like the tilting LCD as it lets you get a better vantage by aiming the camera and adjusting the screen so you can see when you’re shooting with the camera high and low. It also lets you see yourself when taking self-portraits if you flip the screen up to the full amount. The angled screen is also useful for reviewing photos or showing photos to friends on the camera. We were sold on this feature, but ask yourself, is it essential if you are on a budget? Both displays are touch sensitive and responsive, which makes navigating through menus, selecting items, or playing back photos easy. On the E-PM2, however, some of the screen real estate is eaten up by the menu options .

The E-PL5 uses Olympus’ FAST (Frequency Acceleration Sensor Technology) AF System to autofocus quickly by assigning 35 separate focus points within the field of a picture. It also has face and eye detection, so it can identify the subject and make sure it’s focused on a person, rather than another object in the photo. If it’s the object you want, you can use manual focus to get the picture right.

What’s in the box

Contents were the same for both cameras. Both come with with some standard goods such as the strap, lithium-ion battery, battery charger, and cables. The cameras we tested came with a M.ZUIKO Digital 14-42mm f3.5-5.6 II R kit lens. An external flash that attaches to the hot shoe was also included.

The lens is versatile for day-to-day shooting, but it is on the big side. The reason is that, unlike other zoom lenses that retract in and out, this kit lens stays physically extended. While the camera is still highly portable, the lens does make the camera a little bulky after a while.

Olympus includes a little bag to carry the flash. That is the only “carry” accessory. The camera doesn’t have any kind of case to carry the camera, which isn’t typically included with cameras anyway. We just mention it because you’ll want to shop for a good bag when you purchase your E-PL5, just for safekeeping. And make sure your bag will accommodate the large-size lens, if you stick with the 14-42mm lens.

Performance and use

 

When we turned on the camera and began to play with it we noticed some of the strengths right away. We used the automatic and semi-automatic settings as most users of this camera would. A few casual images snapped around the house with natural light appeared much brighter than similar shots taken with our DSLR that’s a few years old. As Olympus claims, we found the autofocusing to be relatively fast. This camera typically doesn’t exhibit any large lags between shots, except in the case of low light and using special effects. Video performance was smooth and stayed in focus and sound quality was also good, but the camera’s strength lies more in still photos.

While the camera performs well in low-light settings, it does need light, obviously. We braved the cold to take a picture of the full moon over a lake in near darkness; besides the light emanating from the moon, there was light from the window behind us. The camera wasn’t able to get a decent photo of the moon. A better shot would have required a tripod and some well-chosen manual settings.

In other low-light pictures, in the warmth of indoors, we were able to get very clear shots that appeared in crisp focus. However, the photos took on the reds and oranges of the available light, which affected the coloring of the photos. We didn’t see too much noise in most of the shots.

Both cameras offer art filters that add effects like sepia, black and white, polarization, and the soft lighting used in portraits. These effects are widely available in photo editing software, but the camera lets you snap pictures with the effect in use. It’s fun to play with. It will come in handy when you see the perfect photo that you want to apply a grainy black and white effect or a sepia brown filter over the photo. These effects will be familiar with users migrating from simple point-and-shoots, but more advanced users will probably eschew their usefulness.

Conclusions

 

Both cameras performed well and gave us crisp, focused photos. We were finding it difficult to justify the $100 to spring for the E-PL5 over the E-PM2. But then we started tilting the screen out to review photos or framing the best angle for a shot, and it became a “must have” feature. We also like the settings dial, which is styled more like a DSLR camera; the E-PM2 functions more like more like a point-and-shoot cameras; that means a few extra steps to change from full auto to manual or art effects.

Both cameras are good entries into the Micro Four Thirds category, and will serve new users well. The picture quality and ability to play with a number of settings make it a good choice for photographers who like to tweak shots and play around with different ISO and other settings. If you can live without the extra features, such as a tilting screen and settings dial, you can save a few dollars and go with the Pen Mini E-PM2. Our preference, if you’re going for this price point and feature set, is to spring for the extra features offered with E-PL5.

Highs

  •     Fast autofocusing system
  •     Takes very good photos
  •     Tilting screen for angled shots or self-portraits
  •     Special effects and filters allow you to take fun pictures

Lows
  •     Requires playing around to learn features and settings
  •     Lens is a bit big on what is otherwise a compact camera
  •     Higher price tag when there’s a comparable Olympus camera with similar features

Source: DT

Olympus PEN E-PM2 Review

Olympus PEN E-PM2 Review


Olympus PEN E-PM2 information: Although we tested both the Olympus PEN E-PM2 and the PEN E-PL5, the review below is based on our time spent with E-PL5. Both cameras are near identical in features and performance, and the observations made also apply to E-PM2. We noted the differences in the review.

For users upgrading from a simple point-and-shoot to an interchangeable lens camera, the Olympus PEN Lite E-PL5 (and its sibling the PEN Mini E-PM2) is a very good camera to transition to. Out of the box, the E-PL5 takes great photos. It does take time, however, to learn some of the features of the camera, for which there are plenty. Plenty of settings and a deep menu mean there’s a lot to explore with the camera, but users entering the ILC category for the first time will discover new ways to shoot with this Micro Four Thirds camera.

Features and design

The E-PL5 has a simple design that doesn’t vary a whole lot from other cameras in the PEN series; while it doesn’t have as much of a retro styling as the E-P3, the similar classic cues are noticeable. But the fact that it’s a slimmed-down mirrorless camera that offers many of the benefits of a larger DSLR is a welcome feature – just don’t expect it to work exactly like a DSLR. If you’ve ever lugged around a cumbersome camera on your most recent vacations and outings, you will immediately appreciate the E-PL5’s smaller size and lighter weight. The camera weighs in at less than 16 ounces, so it’s much easier to tote. But its Live MOS sensor is larger than a typical point-and-shoot, allowing it to capture better image quality (although smaller than that of a compact DSLR or mirrorless offerings from Sony and Canon). As an interchangeable lens camera, you have a selection of Micro Four Thirds lenses – from macro to super-telephoto – to choose from, which enhances the types of photos you can shoot while retaining a user experience not unlike a point-and-shoot camera.



Like high-end luxury cars with features that eventually trickle down to affordable models, the E-PM2 has some of the features found in the more expensive but excellent O-MD E-M5, such as the sensor and autofocusing system (but not the 5-axis image stabilization). The feature set in the E-PL5 is comparable to other cameras in its class, including Olympus’ PEN Mini E-PM2. Don’t be surprised if you do a double take: the E-PL5 and the E-PM2 are nearly identical in looks and features. Both cameras have the same 16-megapixel Live MOS Micro Four Thirds sensor; TruePic VI image processor; 200-25,600 ISO; 1/4000-to-60-second shutter speed; 1080i high-def video recording, 460k dot 3-inch touchscreen LCD; creative filters; dust reduction system; in-body image stabilization; and burst shooting of up to 8 frames per second. Neither camera has a built-in flash; instead, Olympus includes a small, detachable flash that slips into the hot shoe. There’s no viewfinder, just live view through the LCD.

What the E-PL5 has that the E-PM2 doesn’t is a tilting LCD (up to 170 degrees), a mode dial, a larger grip that comes off the camera body if you want to shave a few grams, and a few more function buttons. If you can live without those extras, save yourself $100 and go with the E-PM2. We like the tilting LCD as it lets you get a better vantage by aiming the camera and adjusting the screen so you can see when you’re shooting with the camera high and low. It also lets you see yourself when taking self-portraits if you flip the screen up to the full amount. The angled screen is also useful for reviewing photos or showing photos to friends on the camera. We were sold on this feature, but ask yourself, is it essential if you are on a budget? Both displays are touch sensitive and responsive, which makes navigating through menus, selecting items, or playing back photos easy. On the E-PM2, however, some of the screen real estate is eaten up by the menu options .

The E-PL5 uses Olympus’ FAST (Frequency Acceleration Sensor Technology) AF System to autofocus quickly by assigning 35 separate focus points within the field of a picture. It also has face and eye detection, so it can identify the subject and make sure it’s focused on a person, rather than another object in the photo. If it’s the object you want, you can use manual focus to get the picture right.

What’s in the box

Contents were the same for both cameras. Both come with some standard goods such as the strap, lithium-ion battery, battery charger, and cables. The cameras we tested came with a M.ZUIKO Digital 14-42mm f3.5-5.6 II R kit lens. An external flash that attaches to the hot shoe was also included.

The lens is versatile for day-to-day shooting, but it is on the big side. The reason is that, unlike other zoom lenses that retract in and out, this kit lens stays physically extended. While the camera is still highly portable, the lens does make the camera a little bulky after a while.

The E-PM2 carries a list price of $600 with a 14-42mm kit lens.

Performance and use

When we turned on the camera and began to play with it we noticed some of the strengths right away. We used the automatic and semi-automatic settings as most users of this camera would. A few casual images snapped around the house with natural light appeared much brighter than similar shots taken with our DSLR that’s a few years old. As Olympus claims, we found the autofocusing to be relatively fast. This camera typically doesn’t exhibit any large lags between shots, except in the case of low light and using special effects. Video performance was smooth and stayed in focus and sound quality was also good, but the camera’s strength lies more in still photos.

While the camera performs well in low-light settings, it does need light, obviously. We braved the cold to take a picture of the full moon over a lake in near darkness; besides the light emanating from the moon, there was light from the window behind us. The camera wasn’t able to get a decent photo of the moon. A better shot would have required a tripod and some well-chosen manual settings.

In other low-light pictures, in the warmth of indoors, we were able to get very clear shots that appeared in crisp focus. However, the photos took on the reds and oranges of the available light, which affected the coloring of the photos. We didn’t see too much noise in most of the shots.

Both cameras offer art filters that add effects like sepia, black and white, polarization, and the soft lighting used in portraits. These effects are widely available in photo editing software, but the camera lets you snap pictures with the effect in use. It’s fun to play with. It will come in handy when you see the perfect photo that you want to apply a grainy black and white effect or a sepia brown filter over the photo. These effects will be familiar with users migrating from simple point-and-shoots, but more advanced users will probably eschew their usefulness.

Conclusions

Both cameras performed well and gave us crisp, focused photos. We were finding it difficult to justify the $100 to spring for the E-PL5 over the E-PM2. But then we started tilting the screen out to review photos or framing the best angle for a shot, and it became a “must have” feature. We also like the settings dial, which is styled more like a DSLR camera; the E-PM2 functions more like more like a point-and-shoot cameras; that means a few extra steps to change from full auto to manual or art effects.

Both cameras are good entries into the Micro Four Thirds category, and will serve new users well. The picture quality and ability to play with a number of settings make it a good choice for photographers who like to tweak shots and play around with different ISO and other settings. If you can live without the extra features, such as a tilting screen and settings dial, you can save a few dollars and go with the Pen Mini E-PM2. Our preference, if you’re going for this price point and feature set, is to spring for the extra features offered with E-PL5.

Source http://www.digitaltrends.com/digital-camera-reviews/olympus-pen-e-pm2-review/

Olympus EM-D E-M5 Review

 Olympus EM-D E-M5 Review


The 16-megapixel OM-D E-M5 takes its design cues from cameras that were part of the company's classic OM film SLR line, which were renowned for their small size when they were introduced back in 1972. The E-M5 also manages to live up to their legend. It's a modern camera with an excellent EVF, lightning-fast autofocus, great handling, a very sharp and versatile kit lens, and full weather sealing. As such, it earns our Editors' Choice award for high-end compact interchangeable lens cameras.

Design and Features

The E-M5 is a bit larger than the smallest mirrorless compacts, but still not as big as a D-SLR. It measures 3.5 by 4.8 by 1.6 inches (HWD) and weighs about 15 ounces without a lens.The E-M5 has a modest handgrip, but I found it most comfortable to use along with the OM-D HLD-6 Battery Grip.

You've got two options for framing images. The first is an eye-level electronic viewfinder. It's housed just where it would be on a D-SLR, adding a characteristic angular hump to the top of the E-M5. Packed with 1.44 million dots, the LCD EVF is sharp and crisp, although with less contrast than the OLED EVF built into the Sony Alpha NEX-7. The camera's rear 3-inch touch screen display is OLED, and even though its resolution is just 610k dots, it is extremely bright and crisp. The rear panel is hinged, so you can frame shots from above or below. There's no built-in flash, but Olympus includes a pop-up flash that slides into the hot shoe. If you need a more powerful strobe, Olympus offers a few options that are compatible with the E-M5, including models that support bounce and swivel.

Physical controls are plentiful here. There are two control wheels, a mode dial, two programmable function buttons, a video recording button, and a four-way controller. The camera's menu system is pretty intense—there are pages and pages of options that you can customize—but once you've got the camera configured to suit your shooting style you won't have to spend a ton of time paging through it. I programmed the Fn2 button to activate its integrated digital zoom. If you're shooting in JPG or Raw+JPG, it effectively doubles your focal length. I was quite impressed with the quality of the digitally zoomed JPGs—they were only slightly softer than non-zoomed files, and retained the full 16-megapixel resolution. I also used the function as a manual focusing aid when shooting with legacy lenses. Tapping the button toggles between the two views, and even if you do find yourself firing a shot off when zoomed unintentionally in Raw+JPG mode, the Raw file retains the full field of view—it is only the JPG version that is cropped in-camera.

One of the advantages of Olympus Micro Four Thirds bodies over Panasonic cameras with the same lens mount and sensor size like the Lumix DMC-GX1 is in-body image stabilization. This adds stabilization to any lens that you mount on the camera. The system implemented in the E-M5 features a 5-axis stabilizer, which does a great job keeping shots sharp. I was able to shoot crisp photos at slower shutter speeds without issue. The system also helps to keep your video footage steady.

The E-M5's body is fully weather sealed, and if you opt to buy the kit we reviewed, which includes the sealed M.Zuiko 12-50mm f/3.5-6.3 ED lens , you've got a camera that you can take outdoors in almost any type of weather and shoot without worry. There aren't a lot of interchangeable lens cameras on the market that offer sealed body and sealed lens options.


Performance and Conclusions

Early Micro Four Thirds models were nowhere near as fast as competing D-SLRs, and that stigma has followed the cameras around—even though they are, generally speaking, no longer guilty. The E-M5 isn't going to outperform a pro camera like our Editors Choice full-frame D-SLR, the Nikon D4 , but it does feature autofocus that is, in all but the dimmest light, nearly instantaneous. The camera does hunt a for focus a bit in very low light, but includes a built-in autofocus assist beam to help make the process bearable.

The E-M5 can start up and grab a photo in 1.5 seconds, rattles off shots at 9 frames per second, and records an extremely short 0.09 second shutter lag. When using a SanDisk 95MBps memory card, the camera can keep up the fast shooting pace for about 18 JPG shots, 16 Raw shots, or 16 Raw+JPG shots before slowing down. Recovery time also varies based on the format—all of the JPG shots are written to the camera in about 5.1 seconds, while you'll have to wait 11.8 seconds for the Raw buffer to clear, and 14.4 seconds for the Raw+JPG files to be stored on the card. The Nikon J1 , a mirrorless camera with a smaller sensor, offers a shorter 0.04 second shutter lag, but takes about 1.8 seconds to start and shoot and can only manage about 4.2 frames per second.

The included 12-50mm (24-100mm equivalent) is a 4x zoom design with three operational modes. You can opt to use it as an electronic power zoom, which is very quiet, or as a traditional manual zoom. The third mode is Macro—which sets the lens to the 43mm focal length (96mm equivalent) and makes it possible to focus on objects that are very close to the lens. I used Imatest to test its sharpness at 12mm, 25mm, and 50mm. It impressed at each of these focal lengths—notching 2,129 lines at its widest, 2,521 lines in the middle, and 2,477 lines at its longest. All of these figures are well in excess of the 1,800 lines required for a sharp image—a number that kit lenses sometimes struggle to hit. I considered the 18-55mm (27-82.5mm equivalent) zoom that is bundled with the NEX-7 to be better than most, and that lens only managed to hit an average of 1,720 lines through its zoom range.

I also tested the noise present in out-of-camera JPGs using Imatest's Colorcheck module. When an image is composed of more than 1.5 percent noise it starts to look overly grainy. The E-M5 was able to keep noise under this level through ISO 3200. This is one stop better than the NEX-7, which only made it to ISO 1600. More impressive is that the Olympus was able to keep the noise low without relying on overzealous digital noise reduction—which helps to keep noise low, but also washes away detail in photos. To my eye, JPG files were excellent in terms of detail through ISO 3200, and still very usable at ISO 6400. Setting the camera any higher than that can get dicey when working with JPGs, but if you are willing to put the extra time in and shoot in the camera's Raw format, you can probably push it to ISO 12800. It's a bit hard to tell for sure at this point as Lightroom 4 has not yet been updated to support the E-M5's Raw format, and the noise reduction algorithms in the included Olympus Viewer 2 are not as robust as those offered by Adobe Camera Raw.

The camera records QuickTime video at 1080p30 or 720p30 format with continuous autofocus. The quality is excellent, and the camera's stabilization system helps to keep your handheld footage from looking as if it was shot on a boat. Serious videographers are going to be left wanting in terms of audio, since there's no microphone input. Olympus does sell the SEMA-1 Microphone Adapter ($89.99), which includes a tiny stereo mic and an adapter that turns the hot shoe into a microphone input jack. The E-M5 has a micro HDMI port to connect to an HDTV and a proprietary USB interface to connect to a computer. It can record data to SD, SDHC, and SDXC memory cards.

This is the shooter Micro Four Thirds aficionados have been waiting for. While there have been good cameras available to mount the ever-growing library of native lenses, it's been hard to find one that can be described as truly excellent. The E-M5 fills that void—it can shoot as fast as an SLR, delivers quick and accurate focus, and does a good job at high ISOs. Traditional shooters may be turned off by the lack of an optical finder, but this is the case with all mirrorless cameras. The only way to get around it is to opt for a rangefinder like the Leica M9 , but that design precludes through-the-lens viewing—and it costs a bundle.

The OM-D E-M5 earns our Editors' Choice for high-end compact interchangeable lens cameras, edging out the Sony Alpha NEX-7. The NEX has a bigger sensor, and is only $50 more, but the E-M5's performance, ergonomics, weather sealing, and impressive kit lens help it prevail. The NEX's big advantage is a larger image sensor, but its native lens selection, while constantly improving, cannot match that of Micro Four Thirds. If you've already bought into the Micro Four Thirds system and are considering an upgrade, look no further: The E-M5 is simply the finest camera you'll find.


Source: http://www.pcmag.com/article2/0,2817,2403406,00.asp