Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)
Customer Reviews Nikon D3100 14.2MP Digital SLR
Nikon D3100 VS. D300 VS. D700
For the cost of this camera, I don't think you can get anything better. The low light performance is off the charts. As a wedding photographer I regularly shoot with Nikon's high end professional equipment and I was amazed how close this camera is to a pro camera. Now let me get specific. In order to compare I took a look at 100% files out of each camera I own.
Which camera excels Nikon D3100($Cheap) VS. D300($1600) VS. D700 ($2,700):
* Lens = The D3100 is the only camera that comes with a lens at it's normal price
* ISO Performance = Tie between D3100 and D700! (It could be Nikon's new processing but the JPEG looks fantastic I was shooting D3100 on 6400iso with very little noise at all)
* Low Light Focusing = D700
* Focus Speed = D700
* External Buttons & Controls for Pros = D700
* Menu Navigation = D3100
* Ease of Use = D3100
* Megapixel = D3100 (14.2)
* Sensor size = D700 (Much more important than megapixels but I won't get into this)
* Can use older lenses with functionality = D700 & D300
* Video = D3100 of course! 1080P video looks amazing.
* Frame Rate = D300 at 6 photos a second
* Weight = D3100 (light as a feather)
* Ergonomics = D700 (big enough for all my finger)
Lens:
The lens is a kit lens, it will work outside but not so great in low light. The Vibration Reduction will help indoors but Vibration Reduction can't stop a child or pet in motion indoors. Consider buying a 35mm 1.8dx AFS for around $200 and you will be super happy with this camera.
Video:
I purchased the 3100 specifically to shoot video, so I put on Nikon's brand new 85mm 1.4g Nano lens and shot video with it. The lens costs more than double the camera but I wanted to see how the 1080P video looked. It has the look of a cinematic movie. After the 85mm, I put on Nikon's 50 1.2 manual focus lens and was able to take very cinematic video in manual mode. In order to make it brighter or darker you either need to use a really old lens like the 50mm 1.2 and hit the AE-L (auto exposure lock) and twist the aperture to change exposure. Or you can hit the AE-L button when you get the exposure you like. Its not a perfect system but it works well for me. Inside the menu options you can change the AE-L button to hold the setting until you reset which is helpful.
Jello Cam (What's not so great):
This camera still suffers from the "Jello Cam" look in video if it is not on a tripod and you are shaky. The video can look like jello if moved too quickly. Use a monopod or tripod when shooting to avoid this. I'm not sure if a faster video frame rate 60fps would help - but at 24 and 30 it can suffer badly.
Conclusion:
This is an amazing deal! Unless you make most of your income from photography or have a stockpile of old lenses (this camera can only autofocus with AFS lenses) then this camera is the must have camera of the year. If you have good composition skills and an eye for light you can take photos worthy of a magazine with this. Seriously, you won't regret buying this camera. When you do, do yourself a favor and buy an additional Nikon AFS lens that has a maximum aperture of 2.8, 1.8 or 1.4. These lenses will take better portraits and deal better in low light than the kit lens.
Showing posts with label Nikon. Show all posts
Showing posts with label Nikon. Show all posts
Friday, August 23, 2013
Monday, March 18, 2013
Nikon P7700 Premium compact Camera Review
Nikon P7700 Premium compact Camera Review
Nikon P7700 has announced with a large 1/1.7-inch 12 million pixel CMOS sensor, a 7.1x optical zoom lens and a fully articulating screen. The lens, which offers an equivalent of 28-200mm in 35mm terms, is capable of going down to f/2.0 at the widest angle of the lens, rising up to f/4.0 at the top end.
That doesn't compare spectacularly well to other premium compacts currently on the market, with the Panasonic LX7 and Samsung EX1 both having f/1.4 optics, while the Sony RX100 and Fuji X-F1 can both reach f/1.8.
It's worth pointing out, however, that the Nikon P7700 does have a longer zoom capability, so it offers more flexibility in that respect. The Canon G15 features an f/1.8-2.8 lens, but only boasts 5x optical zoom.
Other features of the Nikon P7700 include a 921k dot vari-angle LCD screen, a fast EXPEED 2 image processing system, and high sensitivity shooting up to ISO 6400. As on most other premium compact models, the Nikon P7700 has the ability to shoot in raw format, while full manual control is also available, as well as semi-automatic modes.
Although not-built in, the Nikon P7700 is compatible with Eye-Fi cards, which enable you to directly transfer images over wireless networks. Other compatible accessories include a GPS unit, remote control and Speedlight flash units.
Build quality and handling
It's clear that Nikon has put in a lot of thought to the design of the P7700, with lots of direct control dials and buttons that will surely appeal to the enthusiast photographer.The camera also feels very solidly built, and like a real piece of quality kit in the hand. Despite the 7x optical zoom lens and the articulating screen, the overall size of the body is still relatively small. Although it's not quite trouser pocketable, slipping the Nikon P7700 into a jacket pocket or a bag should be no trouble.
At the top of the camera is a mode dial, which enables you to choose between fully automatic, semi-automatic and fully manual modes. Nikon has also included the ability to save up to three groups of commonly used settings and access them directly from the mode dial. Extra touches such as this make the camera really quite appealing.
There's also several Fn buttons that can be customised to quickly access a variety of different functions. For example, one that can be found at the top of the camera can be used to quickly switch on visual aids, such as the digital level gauge.
Another useful dial on top of the camera is an exposure dial, giving quick access to exposure compensation, which ranges between +/- 3. Since this is located at the top-right of the camera, it's easy to push around with a thumb when shooting one-handed.
Also helpful for quick access is a second dial on the top-left of the camera. You spin this round to gain instant access to controls such as ISO, white balance and picture style. Once an option is selected on the dial, you can hit a button in the centre of it to immediately access that setting.
A scrolling dial at the top of the grip portion of the camera sits nicely under the finger when holding it and can be used to control parameters such as aperture and shutter, depending on the shooting mode.
The grip itself is also pretty chunky, giving good purchase, especially when holding the camera one-handed. A thumb grip at the back of the camera also helps with keeping a good hold on the camera.
Another scrolling dial can be reached easily from the thumb grip, and is used to set other functions. One handy thing here is that the Function buttons can combine with the scroll dial to give even more customised access to key functions.
It's a shame that the Nikon P7700's screen isn't a touch device, since that would make accessing key functions and setting the autofocus point a lot quicker.
Autofocus points can be selected when shooting in the appropriate mode. To do this, the central button on the four-way pad needs to be pressed, then using either the scroll dial or directional keys, the desired point can be selected.
Performance
Initial indications, and the specs list of the Nikon P7700, were very promising, and we're pleased to say that images from the camera are very good. Colour rendition is good, with images appearing bright, sharp and punchy without being overly vibrant.Canon's G series of cameras - such as the Canon PowerShot G15 and Canon G1 X - have been dominant in this sector of the market for quite some time, so it's nice to see Nikon introducing something that is a lot more capable of competing than previous iterations of the P series.
Autofocus acquisition is reasonably quick in the majority of cases, and is also accurate. You can move the focus to a specific focus, or let the camera do that for you. There's also the option to choose between normal autofocus, close-range focusing and macro-close up.
Switching to macro mode when you want to photograph an object extremely close is a good idea, with autofocus able to perform from only a couple of centimetres away.
This gives the camera the edge over cameras such as the Canon G1 X, which although packing a much large sensor needs around 20cm to focus, making it very difficult to use for close-up work.
Even at low sensitivity settings, there is some evidence of image smoothing when examining the images at 100%, but given the size of the sensor this isn't a surprise. It's certainly not something that will affect image quality at standard web and print sizing.
Edge to edge sharpness is generally very good, while you can also implement some creative effects thanks to the f/2.0 maximum aperture of the lens. Out of focus areas are rendered well, with a pleasing drop-off in sharpness.
Noise is controlled well at low sensitivity settings, but at higher sensitivities, such as ISO 800 and ISO 1600, image quality starts to deteriorate. Luckily, the f/2.0 lens means that these sensitivities can perhaps be avoided, but if you're forced to bump up the ISO, be prepared for a less than perfect performance.
Still, if you only want to keep images small, either printing-wise or for displaying online, they should be fine.
Nikon has included a number of digital filters that can be implemented on shots. While it's perhaps true that they won't appeal to the vast majority of consumers that Nikon is aiming this camera at, the filters aren't the best we've seen, and are easily beaten by offerings from other manufacturers such as Panasonic and Sony.
Still, it's nice to have something to play with, and some of the filters are customisable. Unfortunately, you can't shoot in raw format when using the effects, so if you decide later down the line that you don't like the filter on a particular image, you're stuck with it.
Matrix (sometimes known as evaluative or general) metering on the Nikon P7700 works well, providing good exposures in the majority of cases. If you are shooting something with mixed or difficult lighting, you can switch metering modes to something more appropriate, via the menu, relatively quickly.
Automatic white balance does a good job of judging the scene to provide accurate colours, even in mixed or artificial lighting. If you find that the camera can't quite cope, white balance can be changed via one of the mode dials at the top of the camera, so it's easy to make adjustments.
One of the biggest niggles we have with this camera is its shot-to-shot time. Despite having a fast processor, it's a very slow process, sometimes needing two or three seconds before it's ready again. Needless to say, this can be very frustrating, especially when trying to shoot more than one photo of a subject in reasonably quick succession.
The Nikon P7700's screen, which is not only fully articulated, but also high resolution at 921k dots, is great to use, and seems to work well in mixed lighting conditions. We've been unable to test it in bright sunshine, but in general outdoor conditions, glare hasn't been an issue.
Few will mourn the loss of the viewfinder that appeared on previous versions of the P series, especially given how good the screen is to use to compose images.
Image quality and resolution
As part of our image quality testing for the Nikon 7700, we've shot our resolution chart.
If you view our crops of the resolution chart's central section at 100% (or Actual Pixels) you will see that, for example, at ISO 80 the Nikon 7700 is capable of resolving up to around 20 (line widths per picture height x100) in its highest quality JPEG files.
Verdict
Using the Nikon P7700, it's easy to see that this a marked improvement over previous P series cameras, especially in terms of aesthetics and design.Now a camera that is much more pocketable, it still retains all the mode dials and manual controls that appeal to the more advanced photographer.
Image quality is generally pretty good, though it's not any better than rival cameras in the market, and is a worse performer than cameras such as the Sony RX100, which features a larger sensor in what is a smaller body.
That said, it does have other benefits, such as the articulating screen and a hotshoe for adding accessories. If you don't shoot in low light conditions very often, and want the benefit of a longer zoom range than some of the other competitors on the market, this is a very tempting proposition.
We liked
Nikon has worked hard to produce a camera that is visually appealing, with dials and function buttons beckoning to serious photographers who want quick access to their most commonly used settings.
We disliked
Unfortunately, shot-to-shot time is seriously slow, leading to missed shots and a lot of frustration waiting for the camera to catch up with you. Perhaps this is something that could be addressed by Nikon with a firmware upgrade.
Final verdict
With a raft of premium compact cameras now flooding the market in a bid to appeal to those looking for something a little more sophisticated from a compact, Nikon has produced a camera that is very likeable in many respects, with the P7700 having just a few let downs.
Source http://www.techradar.com/reviews/cameras-and-camcorders/cameras/compact-cameras/nikon-p7700-1098194/review/1
Tuesday, March 12, 2013
Nikon D800 Digital SLR Camera (body only)
Nikon D800 Digital SLR Camera (body only)
Nikon D800 Digital SLR Camera is more than a DSLR, it's a broadcast quality video camera as well. Driving both still and video capture is the FX-format CMOS 36.3Mp sensor and the powerful EXPEED 3 image-processing engine. Backing up the heart of the camera you'll find an optical low-pass filter that reduces false color and moire, and an ISO range of 100-6400 that's expandable to ISO 50-25600 equivalent. Additionally, the D800 boasts 14-bit A/D conversion and 16-bit image processing. What's more, the camera's Nikon F mount accepts a multitude of NIKKOR lenses, included DX lenses and AF-S lenses; and Nikon Speedlights provide exceptional flash capabilities
The D800's Advanced Scene Recognition System with a 91k-pixel RGB sensor brings out precise, accurate colors in every scene, for natural-looking results. Face detection and a detailed scene analysis support more accurate autofocus, auto exposure, and i-TTL flash exposure for any number of compositional and lighting situations. When combined with auto-area AF and subject tracking in 3D-tracking, your images are even more fine-tuned. In addition, the 3D color matrix metering III feature results in pleasing auto exposures, especially when human faces are in the scene
The D800 utilizes Nikon's i-TTL system, for the supreme in accuracy and balance. When combined with Nikon's Speedlights, high-quality stills result. Of course, the camera also has a built-in pop-up flash for those spur-of-the-moment snapshots and other casual pics. The D800 also utilizes Nikon's auto white balance which is equipped for a wide range of shooting situations. The Advanced Multi-CAM 3500FX autofocus sensor results in sharp images, even in low-light and the four AF-area modes give you the versatility you need to shoot everything from stills to street scenes to landscapes and more
When it comes to HD movie capture, the D800 shoots broadcast quality video in two D-Movie formats at 1080/30p full HD. The D800 captures movies in FX and DX movie formats. The FX-based format renders shallow depth of field with beautiful bokeh, while the DX-format uses an image area similar to 35mm movie film, for a look cinematographers are accustomed to. Additional video features include live view operation, the ability to record high-fidelity stereo audio with an external mic, and the option to shoot time-lapse photography and save it as a movie file. Flicker reduction and custom settings enable even more freedom of expression in your movies
When it comes to viewing your scenes you have a choice of the 100% coverage FX-format optical viewfinder or the 3.2" LCD monitor. The pentaprism viewfinder provides you with a clear and accurate view when shooting stills. And the generous 3.2" 921k-dot wide-viewing-angle LCD gives you features like an anti-reflective structure, brightness control, and the ability to magnify playback images up to 46x. Other notable features of the D800 include a fast response time of 0.12 seconds, high-speed CF and SD dual card slots, high-speed data transfer with a USB 3.0 connection, a high-capacity EN-EL15 rechargeable lithium-ion battery, a precise and durable shutter, and a high-precision sequential control mechanism.
A DSLR though it may be, the D800 comes with a number of creative and intuitive features to keep your shooting both exciting and efficient. Features like direct access to the Picture Control feature and a four-button layout and release mode dial on the camera's top deck make your shooting life easier, while High Dynamic Range, Dual-axis electronic virtual horizon, and numerous in-camera editing functions ensure that you get the shot you want. The D800 comes with ViewNX 2 software for browsing, editing, and sharing of your files. Optional software from Nikon that can be used includes Capture NX 2 and Camera Control Pro 2.
Nikon D800 Digital SLR Camera is more than a DSLR, it's a broadcast quality video camera as well. Driving both still and video capture is the FX-format CMOS 36.3Mp sensor and the powerful EXPEED 3 image-processing engine. Backing up the heart of the camera you'll find an optical low-pass filter that reduces false color and moire, and an ISO range of 100-6400 that's expandable to ISO 50-25600 equivalent. Additionally, the D800 boasts 14-bit A/D conversion and 16-bit image processing. What's more, the camera's Nikon F mount accepts a multitude of NIKKOR lenses, included DX lenses and AF-S lenses; and Nikon Speedlights provide exceptional flash capabilities
The D800's Advanced Scene Recognition System with a 91k-pixel RGB sensor brings out precise, accurate colors in every scene, for natural-looking results. Face detection and a detailed scene analysis support more accurate autofocus, auto exposure, and i-TTL flash exposure for any number of compositional and lighting situations. When combined with auto-area AF and subject tracking in 3D-tracking, your images are even more fine-tuned. In addition, the 3D color matrix metering III feature results in pleasing auto exposures, especially when human faces are in the scene
The D800 utilizes Nikon's i-TTL system, for the supreme in accuracy and balance. When combined with Nikon's Speedlights, high-quality stills result. Of course, the camera also has a built-in pop-up flash for those spur-of-the-moment snapshots and other casual pics. The D800 also utilizes Nikon's auto white balance which is equipped for a wide range of shooting situations. The Advanced Multi-CAM 3500FX autofocus sensor results in sharp images, even in low-light and the four AF-area modes give you the versatility you need to shoot everything from stills to street scenes to landscapes and more
When it comes to HD movie capture, the D800 shoots broadcast quality video in two D-Movie formats at 1080/30p full HD. The D800 captures movies in FX and DX movie formats. The FX-based format renders shallow depth of field with beautiful bokeh, while the DX-format uses an image area similar to 35mm movie film, for a look cinematographers are accustomed to. Additional video features include live view operation, the ability to record high-fidelity stereo audio with an external mic, and the option to shoot time-lapse photography and save it as a movie file. Flicker reduction and custom settings enable even more freedom of expression in your movies
When it comes to viewing your scenes you have a choice of the 100% coverage FX-format optical viewfinder or the 3.2" LCD monitor. The pentaprism viewfinder provides you with a clear and accurate view when shooting stills. And the generous 3.2" 921k-dot wide-viewing-angle LCD gives you features like an anti-reflective structure, brightness control, and the ability to magnify playback images up to 46x. Other notable features of the D800 include a fast response time of 0.12 seconds, high-speed CF and SD dual card slots, high-speed data transfer with a USB 3.0 connection, a high-capacity EN-EL15 rechargeable lithium-ion battery, a precise and durable shutter, and a high-precision sequential control mechanism.
A DSLR though it may be, the D800 comes with a number of creative and intuitive features to keep your shooting both exciting and efficient. Features like direct access to the Picture Control feature and a four-button layout and release mode dial on the camera's top deck make your shooting life easier, while High Dynamic Range, Dual-axis electronic virtual horizon, and numerous in-camera editing functions ensure that you get the shot you want. The D800 comes with ViewNX 2 software for browsing, editing, and sharing of your files. Optional software from Nikon that can be used includes Capture NX 2 and Camera Control Pro 2.
- Nikon FX-Format CMOS Sensor with 36.3 Effective Megapixels
- The D800 renders levels of texture, nuance and detail to your photography that, until now, have been the exclusive domain of the complicated medium-format system. Define every eyelash, every line in tree bark, and every shimmer of light. Savor the exceptional depth in your still images - with the astounding 36.3 effective megapixels, you can. Enlarge them as big as A1 poster-sized prints (23.4 x 33.1" /59.4 x 84.1cm) at 200 dpi, or crop aggressively to reach the composition you desire, all without sacrificing the detail and tonal range of the original. In order to maintain clean, high-resolution images, 14-bit A/D conversion within the sensor and a high signal-to-noise ratio deliver phenomenal images in a diverse array of situations. The image sensor's incredible potential does not stop with photography, either. For cinematographers ready to put their exceptionally sharp NIKKOR lenses into action, the D800's 36.3 effective megapixel data is efficiently processed for exquisite 1080p broadcast quality video at 30p
- Standard ISO 100 to ISO 6400 Expandable to ISO 50 to 25,600 Equivalent
- High-resolution, studio-quality images shouldn't be restricted to the studio. The D800 sets a new benchmark for high resolution D-SLR cameras, with crisp clean images across a wide ISO range. Flexibility like this opens up new imaging opportunities for both still photographers and cinematographers alike during the "magic hour", the time just before dawn or at dusk when available light is often beautiful but scarce. Even at high ISO settings, the camera's intelligent noise reduction systems manage noise without sacrificing fine details, giving the D800 the edge. The difference can even be seen in low-contrast subjects such as hair and grass textures, which are often essential elements of cinema as well as high-resolution portraits and landscape images. High image quality at higher ISOs also means that you can shoot still images handheld more confidently, knowing that fast shutter speeds will reduce blur
- A Strategic Approach to Turn Light to Your Advantage
- Combining both high-resolution performance and a wide ISO sensitivity range has finally become a reality. Nikon engineers have developed intelligent new methods to manipulate light transmission to the sensor's photodiodes: from the optical low-pass filter and on-chip gapless micro lenses to the image sensor's internal design, every measure has been taken to maximize and improve light transmission in order to deliver crisp, brilliant images with significantly less noise. All this is possible under a wide variety of lighting conditions, enabling you to get the most out of your NIKKOR lenses
- Optical Low-Pass Filter Optimized for Sharpness
- Reducing false color and moire is the main job of the optical low-pass filter located in front of the image sensor. However, this benefit is generally gained with a small sacrifice of sharpness. Moire occurs in scenes containing repetitive details, such as strong vertical lines in architecture. Finding the right balance between benefits and sacrifices is the key to higher image quality, and that is what the D800's optical low-pass filter delivers. As a result, the astounding 36.3 megapixels unleash their potential through an optimized balance between sharpness and effectively prevented moiré and false color. Furthermore, the multi-layer structure of the D800 low-pass filter utilizes layers of antireflective coating that have been optimized for the camera, contributing to sharper and clearer images
- EXPEED 3 Image Processing Engine: Speed, Versatility, and High Performance
- High-megapixel still images are detail-rich but data-heavy. With the D800, however, you don't have to sacrifice speed for this privilege. Dedicated to understanding speed and its role in image making, Nikon engineers designed a powerful EXPEED 3 image-processing engine exclusively for digital SLRs. From image processing and card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at faster speeds than EXPEED 2. Even with specialized processing features like Active D-Lighting and high ISO noise reduction, capture speed is not affected. EXPEED 3 is so powerful that it handles data-intensive tasks such as Full HD video recording at 30p with ease. You'll also notice the difference in your still images and videos through minimized noise and even richer colors and tones. In addition to these fundamental advantages, the D800 reduces the kind of color phase shift that some cameras have difficulty with in similar situations
- 36Mp & D-Movie Broadcast Quality Video in Two D-Movie Formats
- True Cinematic Experience Full HD video quality and minimized rolling shutter effect: Dynamic movie shooting in diverse lighting situations. Record clean, uncompressed 1080p files in 4:2:2 color space via HDMI to an external recording device.
Many filmmakers, multimedia professionals and still photographers need the highly mobile, lightweight and compact form of a D-SLR in order to cover large events or make documentaries, music videos or movies. For these professionals, the D800 is ready to create true cinematic experiences. By using the B frame data compression method, you can record 1080p Full HD video at 30p in H.264/MPEG-4 AVC format with unmatched moving image integrity for up to 29 min. 59 seconds of recording in a single clip. Thanks to Nikon's latest image-processing optimizations, the monumental power of 36.3 megapixels transforms to sharp, exquisitely rendered videos. Expect exceptionally smooth gradation in blue skies, with minimum block noise and beautifully natural movement rendered clearly and sharply. The D800's intelligent image sensor reads out movie images at faster rates than ever, significantly reducing the rolling shutter distortion that can occur during panning shots or when shooting fast-moving lateral subjects like trains. Thanks to EXPEED 3, your movies will take on a distinctive look of their own, even with dimly lit scenes. Combine these benefits and you'll begin to realize exactly the new creative opportunities possible for photographers and cinematographers alike
Multi-area mode full HD D-Movie: Creative movie-making freedom in FX and DX based formats
The D800 is designed to stimulate cinematographers to explore different moods and perspectives by enabling Full HD and HD video recording in two frame formats; Nikon FX- and DX-based movie formats in just one camera. When using wide-aperture NIKKOR lenses, the large image area of the FX-based format renders exquisitely shallow depth of field with beautiful bokeh effects. The DX-based format uses an image area similar to 35mm movie film, allowing cinematographers to shoot with picture angles that they are accustomed to. Having the advantage of two D-Movie formats in one camera and an arsenal of NIKKOR lenses makes the D800 an incredibly versatile movie-making tool
Smoother video recording under fluorescent or mercury lamps: Auto flicker reduction
With the D800, it is easier than ever to reduce flicker effects during live view and video recording. Simply use auto in the flicker reduction menu to automatically identify the flicker frequency at the beginning of live view and switch to the one that will work best. You can also manually switch between 50 Hz and 60 Hz
- Lateral Chromatic Aberration Reduction: Take Full Advantage of your NIKKOR Lens Collection
- High-megapixel sensors can really test the quality of your lenses, but you can be confident that the combination of brilliant NIKKOR lenses and Nikon's intelligent processing measures will significantly reduce lateral chromatic aberration to give you incredibly natural-looking results. Unlike other correction methods that simply eliminate chromatic aberration, Nikon's method compensates for these color differences in a resolving index for each color, making it particularly effective in producing images with stunning edge-to- edge sharpness. Moreover, because these corrections are made regardless of the NIKKOR lens used, this feature contributes substantially to achieving the sharpest images possible
- Advanced Scene Recognition System with 91K-Pixel RGB Sensor
- Nikon's revolutionary Advanced Scene Recognition System, introduced with the flagship D4 camera, is also employed in the D800. At its core is a 91K-pixel RGB sensor that meticulously analyzes each scene with the fine resolution. The RGB sensor can recognize your scene's colors and brightness with unprecedented precision, then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder. Along with face detection, detailed scene analysis is utilized to support more accurate autofocus, auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations
- More Accurate Face Detection in Auto-Area AF and Subject Tracking in 3D-Tracking
- Auto-area AF and 3D-tracking are AF-area modes unique to Nikon that use your subject's color and brightness information to detect focus. With the D800 and its more precise information and subject recognition advancements, expect big steps forward for both AF-area modes when taking high-quality still images. In auto-area AF, the camera can genuinely detect human faces and focuses on them immediately - useful when faces are a priority and there's no time to choose focus points. When using 3D-tracking, the sensor's fine resolution combines with a specifically optimized AF algorithm to realize unprecedented subject tracking precision, recognizing detailed patterns to keep your subject in sharp focus
- 3D Color Matrix Metering III for More Accurate Exposures
- Professional photographers who shoot still images know that Nikon's metering system delivers supremely well-balanced exposures. Thanks to the 91K-pixel RGB sensor, the D800 has far more detailed scene information at its disposal - including detected face information. This data helps the 3D color matrix metering III deliver more desirable auto exposures, especially when there are human faces present. When the D800 recognizes a human face in a backlit situation, the camera determines the overall exposure while prioritizing the facial exposure, which might otherwise be underexposed. When a face is lit from the front and appears much brighter than the background, the camera recognizes the situation and avoids blowing out the facial details
- More Balanced Results in i-TTL Balanced Fill-Flash and Active D-Lighting
- Nikon's i-TTL system has long been considered the most accurate flash control system in photography, but now face detection and highlight analysis by the 91K-pixel RGB sensor pushes performance even further. With the D800's enhanced i-TTL balanced fill-flash, you can more precisely illuminate people's faces in relation to their surrounding brightness using either the built-in flash or an external hot-shoed Nikon Speedlight. For weddings and fashion shoots, or any photography that relies on the highest-quality still images, this new standard redefines what a flash system should be. Face detection also makes a difference when Active D-Lighting is used to retain highlights and shadows in high-contrast lighting situations. Faces will be optimally exposed both in the sun and in the shade
- Light Source Identification for Auto White Balance in Still Images
- The D800's auto white balance is incredibly accurate in a diverse range of shooting situations, aided by unique Nikon technology that effectively identifies your light sources, both natural and artificial. With the 91K-pixel RGB sensor and the image sensor working together, the camera renders white as white with supreme accuracy. Or if you prefer, the auto white balance can be set to reflect the warmth of ambient, incandescent lighting
- Advanced Multi-CAM 3500FX Autofocus Sensor Module for Razor-Sharp Detection in Low-Light
- Accurate AF detection is crucial for extremely high-resolution still images in every situation. The 51 sensor points in the D800's AF sensor module work down to -2 EV (ISO 100, 68°F/20°C), the approximate physical limit of human visibility through an optical viewfinder. For even more powerful detection, you can rely on the camera's 15 crosstype sensors in the center to detect both vertical and horizontal lines when using any AF NIKKOR lenses of f/5.6 or faster. What's more, AF can be activated with eleven focus points in the center with open aperture of f/8, which is a big plus when you combine a telephoto lens with a 2.0x teleconverter to shoot distant subjects
- Versatile AF-Area Modes
- Whether it's a still life, a portrait, a landscape or a candid street scene, your subject matter varies, but its importance doesn't. That's why the D800 offers four AF-area modes, each specifically tailored to adapt to various subjects. Single point AF is ideal when you need pinpoint focus on stationary subjects. Dynamic-area AF has three options (9-point, 21-point and 51-point) and is ideal for shooting moving subjects. The selected AF point and the surrounding points keep your subject in sharp focus even if it briefly leaves the selected points. 3D-tracking allows you to maintain focus on subjects that are moving erratically from side to side. Auto area AF detects human faces and prioritizes their sharpness for you - an ideal choice for candid photography
- Integrated Operation
- Live view selector for optimized still images and movies
The D800's live view operation has evolved even further, optimizing camera control to become more intuitive for shooting video as well as still images. Simply clicking the live view selector switches between live view modes designed specifically for still images or movies. Live view photography lets you shoot still images while confirming the exposure level on the LCD monitor. You can even magnify images up to approx. 23x to check the exact focus. For movie live view on the other hand, the D800 incorporates a dedicated exposure control for quality video shooting, enabling smooth exposure transition when shooting moving subjects. You can also shoot video with full manual control. When needed, press the shutter-release button while filming to instantly capture still images in 16:9 aspect ratio. Each time you use live view, for either still photography or movie shooting, your image area and camera setting information will be clearly indicated, allowing you to confirm quickly - View simultaneous live view output on external monitors and record uncompressed video via HDMI
During movie shooting, you can now simultaneously check videos on an external monitor using an HDMI connection, in addition to the camera's TFT monitor. And for those who need the purest video output for professional quality editing, you can now record uncompressed movie live view footage directly to an external storage device via HDMI interface. Bypassing H.264 compression, the 1080p output signal is 4:2:2 (8-bit) uncompressed video
Comprehensive high-fidelity audio recording control
The D800 is designed for crisp stereo recording with a built-in external stereo microphone input. Attach the compact ME-1 Stereo Microphone to record clear sound while significantly reducing mechanical noise. An external headphone jack enables you to effectively monitor and control audio in isolation. While the audio level indicators offer visual confirmation of audio level, the microphone sensitivity can be controlled precisely in 20 incremental steps
Time-lapse photography
Capture a variety of scenes and subjects at a breathtaking pace. The D800's time-lapse photography lets you set intervals and frame rates in order to dramatically relay slow moving activity at dramatic speeds. The D800 allows you to shoot time-lapse photography with replaying rates from 24 times to 36,000 times faster than normal. Time-lapse photography files can be saved as a movie file
Versatile custom settings for D-Movie
The D800 has addressed useful feedback from videographers with convenient custom controls for D-Movie operation. Instead of rotating the command dial, power aperture enables smoother aperture controls during movie live view using a button designated via custom menu, which can be very convenient to confirm depth of field. Index marking helps you locate important frames for later-stage in-camera editing and replay by attaching markers during movie recording. Markings are indicated along with the timeline, which is easy to confirm visually
- Vision You Can Depend On
- Glass prism optical viewfinder with approximately 100% frame coverage
See every important element in your frame clearly and precisely. The D800 offers approx. 100% frame coverage (in FX format) from its slim pentaprism, giving you the visually comfortable FX-format advantage and an unobstructed view when shooting still images. The viewfinder image is not only large and bright - the focusing screen is also carefully designed to help you sense sharp focus intuitively, be it manual or autofocus - Precision 3.2" (8cm), 921k-dot, wide-viewing-angle LCD monitor with automatic monitor brightness control
The D800's large and sharp color LCD monitor delivers bright, crisp image playback with a much larger capacity for accurate color reproduction. Using an antireflective structure, you can count on clarity equal to that of the D4, even under bright conditions. Moreover, if monitor brightness is set to "Auto", the camera automatically adjusts LCD brightness according to the environmental lighting conditions measured by the ambient brightness sensor, allowing easy use of live view in both bright and low-lit places - very useful when shooting video and stills. The ability to magnify playback images up to 46x (Large-size images in FX format) is extremely helpful for spot focus confirmation
- Ready for Demanding Tasks
- Lightweight yet durable construction
Many important parts of the D800 have been designed to achieve better durability and lighter weight. The result is a camera approx. 10% lighter than the D700, yet just as rugged. A magnesium alloy construction protects the sophisticated technologies against accidental shock, and weather and dust sealing has been extensively applied and severely tested, making the D800 as reliable on the road as it is in the studio - Fast response time
The D800 is designed to respond immediately. Once the strategically located switch is turned on, the camera starts up in approx. 0.12 seconds and your finger is in position for shutter release. Release time lag is minimized to approx. 0.042 seconds, equivalent to that of the D3S, with continuous approx. 4 fps capability in FX format, approx. 5 fps in 1.2x and DX format and 6 fps capability in DX format with MB-D12
High-precision sequential control mechanism
For true digital SLR excellence, the camera's mechanical structure, power and precision are vital to ensure indispensable speed and reliability. That's why Nikon utilized its engineering expertise to refine the powerful sequential control mechanism that drives the shutter, mirror, and aperture independently. As a result, shutter release can be operated with mirror-up position during live view. Because mirror-down movement is not required, you can expect even quieter still live view shooting. And as power aperture control operates via the stepping motor, the sound of mechanical adjustment is reduced for quieter and smoother control
High-speed CF and SD dual card slots
Card recording speed is yet another crucial element of a smooth and productive shooting experience. The D800 CF memory card slot is compatible with the latest UDMA 7. The SD card slot is compatible with SDXC (Secure Digital eXtended Capacity) and UHS-I. You can also use two cards simultaneously for a number of functions, such as recording JPEG and RAW data on separate cards, recording the same data simultaneously on two cards for backup and more
High-speed data transfer with USB 3.0
For a more productive tethered and transfer workflow, the D800 is compatible with USB 3.0. When connected to equipment featuring USB 2.0, speed is reduced to that of USB 2.0
High-precision, high-durability shutter
The D800's shutter unit has been tested to well over 200,000 cycles of release to prove durability and precision. While the shutter unit designed to run at a speed range of 1/8,000 to 30 seconds, its intelligent self-diagnostic shutter monitor automatically monitors actual shutter speeds in order to correct possible variances that can occur over time
Efficient power management
A comprehensive re-working of the D800's circuits now enables approximately 900 shots of still image shooting. All on one charge of an EN-EL15 rechargeable lithium-ion battery
MB-D12 multi-power battery pack (optional)
Attach the MB-D12 to the camera body to extend battery stamina. The pack accommodates a variety of batteries (see specifications) and utilizes the same integral magnesium alloy construction and weather sealing as the D800 body itself. You also get approximately 6 fps continuous shooting speed in DX format. The MB-D12 has its own dedicated shutter-release button and command dials for vertical composition shooting
- Connecting Hands, Eyes, and Ideas
- Improvements around the shutter-release button
Angle, shape, contour, and texture: all of these design facets came into play when crafting the D800's shutter-release button. Your index finger can rest comfortably for longer periods of time, allowing you to concentrate when it matters, while the designated movie-record button means you're ready to trigger movie shooting in an instant - Direct access to Picture Control
Customize the look of your stills and videos through Picture Controls by fine-tuning parameters such as sharpening, saturation, and hue. The D800 now allows you to access Picture Control instantly and directly from a dedicated button rather than entering the menu. When live view shooting, you can visually confirm how customized Picture Control settings will look and easily adjust the parameters
Choosing AF mode and AF-area mode combinations
Control your desired AF mode (continuous or single servo) and AF-area mode (single-point, dynamic area, 3D-tracking or auto area AF) without ever taking your eye away from the viewfinder. By using a dedicated AF-mode button and command dials, you can switch between modes without interrupting your creative flow
Four-button layout and release mode dial on the camera's top deck
Important camera settings can be controlled and adjusted from buttons placed on the top deck. Along with dedicated buttons for ISO, white balance and image quality, a new bracketing button has been strategically placed to aid such features as HDR. In addition, the release mode dial also improves mode visibility and operability
- Creative Expansion Tools
- Expand dynamic range: HDR (High Dynamic Range)
The D800 can shoot two frames in a single shutter release, but at different exposures: one overexposed and one underexposed. The camera then instantly combines them to create an image covering a wider dynamic range. The range can be widened by up to 3 EV for different looks, all full of saturation and tonal gradation, while the smoothness of the edge where the two exposures meet can be adjusted for a more natural appearance - Shoot achieving reduced blur with zoom lenses in dim light: Auto shutter speed control for auto ISO sensitivity control
The D800 comes equipped with an auto option for minimum shutter speed that automatically controls the balance between shutter speed and the ISO sensitivity based on the focal length of the lens being used. This can be particularly useful when using a zoom lens, because the camera can automatically choose the shutter speed to reduce camera shake. What's more, through the operation of ISO button and sub-command dial, auto ISO sensitivity control can be immediately turned on or off, without needing to enter the menu
Accurate confirmation of level shooting: Dual-axis electronic virtual horizon
With the D800, you can always check the LCD monitor or the viewfinder for both the camera's position in relation to the horizontal plane and its pitch (forward or rear rotation). This can enhance compositional accuracy, particularly when shooting still life, landscapes, and architecture
Shoot with multiple formats in one camera: Image area options
The D800 offers four image area options: FX format (35.9 x 24.0mm), 5:4 (30.0 x 24.0mm), 1.2x (30.0 x 19.9mm), and DX format (23.4 x 15.6mm) with all cropped image areas visually masked in the viewfinder. DX format offers approx. 1.5x, and 1.2x crop offers approx.1.2x telephoto effect. When a DX NIKKOR lens is used, DX format is automatically selected
Refined color temperature control: Minute control over white balance
The D800's white balance proves its reliability even when using an external flash and live view in the studio environment. The monitor hue of live view and resulting image's white balance can be individually set so that the difference between the two is minimized. Furthermore, for even more control, color temperature can be manually set in 10-kelvin increments or in mired units
Image enhancement options: In-camera editing
Captured images and movies can be altered and edited in-camera and on the fly if required, all without the need to resort to a computer. Retouch menus include an array of useful features such as NEF (RAW) processing, resize, distortion control, fisheye, miniature effect, red-eye correction, filter effects and image overlay, as well as the ability to designate the start and end point of movie clips all at once, in order to save them more efficiently
- Nikon Software
- Capture NX 2 (Optional): Optimal for processing images taken with the D800
To accommodate the imaging power of the D800's 36.3 effective megapixels, the latest Capture NX 2 now features powerful 64-bit processing. Capture NX 2 drastically simplifies an array of image enhancement procedures, letting you concentrate on making your pictures the best they can be. Instead of complicated layering and memorization, simply place a Color Control Point wherever you want to reprocess. Color Control Points use intuitive slider controls to make quick and easy adjustments to image characteristics such as brightness, contrast, saturation and tones. Change, adjust and experiment all you like, safe in the knowledge that all changes are nondestructive and an original always remains intact - ViewNX 2: Browse, edit, share, and more
This bundled, all-in-one software implements an easy-to-use interface for all your photos and movies. Take advantage of an array of editing functions, including basic editing of RAW files and even D-Movies. ViewNX 2 also works effortlessly with Nikon's photo-sharing and storage service, my Picturetown, with labels to help you find that special photo quickly and easily
Camera Control Pro 2 (optional): Extremely versatile remote camera controls
For those that want to operate their camera via computer, Camera Control Pro 2 lets you control camera settings and various features from a distance. Aside from controlling exposure mode, shutter speed, and aperture, the software now offers numerous improvements to make the D800's live view operation exceptionally smooth. Creative control opportunities include remote start and stop for movie shooting and switching between live view for stills and movies. You can also adjust the monitor hue of live view photography and the resulting image's white balance individually, which can be quite helpful when working in the studio. You can also display audio level indicators during movie shooting. And with the optional Wireless Transmitter WT-4A/B/C/D/E, image files can be transferred using either Wi-Fi or an Ethernet connection
Source: http://www.bhphotovideo.com/c/product/842926-REG/Nikon_D800_D_800_SLR_Digital_Camera.html
Saturday, March 9, 2013
Nikon Coolpix L320 Digital Camera with Superzoom has announced
Nikon Coolpix L320 Digital Camera with Superzoom has announced
Nikon has announced its Nikcon Coolpix L320 compact camera that features a 26x extreme wide-angle optical zoom with a truly affordable price tag.
A 16-megapixel image sensor is bundled in with the super-zoom lens, alongside four automatic anti-blur functions to ensure crisp images even when zooming in close to the action.
“The Coolpix L320 is an easy to use, versatile camera that allows you to capture special moments; from family scenes to action shots,” said James Loader, product manager for Consumer Products at Nikon UK. “Creative photographers will enjoy shooting still images and video, and the AA batteries make this camera ideal for travelling.”
Nikon Coolpix L320 Features
With the Nikon Coolpix L320, Nikon has tried to produce a compact camera that packs in as many technological features as possible whilst still remaining within an affordable price range. The Nikon Coolpix L320 plays host to an impressive 26x extreme wide-angle optical zoom lens with a range of 22.5 - 585mm, making the compact capable of capturing vast vistas as well as distant action shots.
Countering the effects of any camera shake, the Nikon Coolpix L320 is in-built with four different functions to combat blur, including Lens-shift Vibration Reduction, motion detection and a Best Shot Selector that picks the best snap out of ten sequential shots. These anti-blur technologies, coupled with a 16-megapixel image sensor with a high ISO of up to 1600, should ensure that the compact produces clear and crisp images whatever the situation.
The Nikon Coolpix L320 can shoot video with a720p HD resolution via its dedicated movie button, all viewed through the 3-inch 230k-dot LCD screen.
18 scenes mode automatically adjust the camera’s settings according to the location the user is in, but can also be set to achieve specific photographic styles or effects. When taking photographs of friends and family, users can expect a great portrait as the Nokin Coolpix L320 features a smile timer to capture the subject is smiling, blink detectors, a skin smoothing function and red-eye corrector.
The Expeed C2 images processing system is on board, as is compatibility with Eye-Fi X2 cards and above, allowing data transfer over a Wi-Fi connection.
Nikon also claims that the compact is the perfect travelling buddy, due to using four AA batteries as a power source, rather than a rechargeable Lithium-ion battery.
Nikon Coolpix L320 Release Date and Price
The Nikon Coolpix L320 will be available from March 21 for the very reasonable price of £199.99, especially considering the features it packs in.
Source: http://www.trustedreviews.com/news/nikon-coolpix-l320-features-super-zoom-and-budget-price-tag
Nikon has announced its Nikcon Coolpix L320 compact camera that features a 26x extreme wide-angle optical zoom with a truly affordable price tag.
A 16-megapixel image sensor is bundled in with the super-zoom lens, alongside four automatic anti-blur functions to ensure crisp images even when zooming in close to the action.
“The Coolpix L320 is an easy to use, versatile camera that allows you to capture special moments; from family scenes to action shots,” said James Loader, product manager for Consumer Products at Nikon UK. “Creative photographers will enjoy shooting still images and video, and the AA batteries make this camera ideal for travelling.”
Nikon Coolpix L320 Features
With the Nikon Coolpix L320, Nikon has tried to produce a compact camera that packs in as many technological features as possible whilst still remaining within an affordable price range. The Nikon Coolpix L320 plays host to an impressive 26x extreme wide-angle optical zoom lens with a range of 22.5 - 585mm, making the compact capable of capturing vast vistas as well as distant action shots.
Countering the effects of any camera shake, the Nikon Coolpix L320 is in-built with four different functions to combat blur, including Lens-shift Vibration Reduction, motion detection and a Best Shot Selector that picks the best snap out of ten sequential shots. These anti-blur technologies, coupled with a 16-megapixel image sensor with a high ISO of up to 1600, should ensure that the compact produces clear and crisp images whatever the situation.
The Nikon Coolpix L320 can shoot video with a720p HD resolution via its dedicated movie button, all viewed through the 3-inch 230k-dot LCD screen.
18 scenes mode automatically adjust the camera’s settings according to the location the user is in, but can also be set to achieve specific photographic styles or effects. When taking photographs of friends and family, users can expect a great portrait as the Nokin Coolpix L320 features a smile timer to capture the subject is smiling, blink detectors, a skin smoothing function and red-eye corrector.
The Expeed C2 images processing system is on board, as is compatibility with Eye-Fi X2 cards and above, allowing data transfer over a Wi-Fi connection.
Nikon also claims that the compact is the perfect travelling buddy, due to using four AA batteries as a power source, rather than a rechargeable Lithium-ion battery.
Nikon Coolpix L320 Release Date and Price
The Nikon Coolpix L320 will be available from March 21 for the very reasonable price of £199.99, especially considering the features it packs in.
Source: http://www.trustedreviews.com/news/nikon-coolpix-l320-features-super-zoom-and-budget-price-tag
Nikon D7100 Review Hands on
Nikon D7100 Features
FOCUS POINTS
The standout feature of the new model over the D7000 is an increase in the number of focus points. The D7000 was no slouch in this department, with 39 points, but the new D7100 has a whopping 51 points - of which the central 15 are of the more sensitive and accurate cross type.
Those extra points are then spread more evenly across the frame, giving far better coverage. We're not sure all those points will ebenefit everyone, but if you're keen to shoot fast-moving subjects then they will certainly provide superior object tracking within the frame.
SENSOR
The other big jump on the spec sheet is a move from 16.1 megapixels up to 24.1 megapixels. The sensor isn't any bigger of course, so it'll be interesting to see how packing all those extra pixels in affects low light performance and shot-to-shot times - neither of which we could accurately ascertain on the show floor today.
As well as the extra resolution, Nikon has taken the bold move of removing the low pass filter. This has long been standard on digital cameras and uses a very slight blurring for anti-aliasing - which removes jagged edges from diagonal lines and moire interference which occurs on certain patterns.
The removal of the filter should improve picture quality noticeably, with blisteringly sharp details, though of course the above problems may occur. It's an intriguing move and another one that will need serious testing to comment on further.
HANDLING
It has to be said that the Nikon D7100 looks and handles a lot like its predecessor - companies such as Nikon and its arch nemesis aren't known for shaking things up in these departments. Nikon claimed the handgrip had been redesigned and the mode dial had a more positive action, though we couldn't recall having a problem with either of these on the current model.
No change here is no bad thing, however, as the dual control dials continue to make adjusting settings quick and easy. A new Info button has been added, so you can get more information when composing or reviewing shots - whether in liveview or in the viewfinder.
It certainly appeared to be fast in our time with it. Nikon claims 6fps in the specification, courtesy of the Expeed 3 image processor; and we have to no reason to doubt that.
One odd feature is a 1.3x crop mode that can be manually activated. It crops the sensor, and so will further increase your lenses' focal length. Usually, of course, you would simply crop your photos down afterwards, giving you more control over the final image. However, cropping at this point does have some advantages, as the autofocus points then fill the whole of the image, giving even better object tracking.
The dual SD card slots return from the D7000. Though now you can choose to copy files manually between them, handy if you want to give a handful of shots to a friend or client on an SD card on the spur of the moment.
VIDEO
1080p video recording (at 30p, 25p and 24p) is no longer anything to get excited about. But the addition of a stereo microphone is a first for a Nikon DSLR. On top of this, there's now a headphone jack to complement the new mic and the existing microphone jack. This means you can now hear what you're recording and adjust your shooting setup to compensate for any problems. It's a big step forward for those who want to shoot video.
PRICE
The Nikon D7100 will cost around £1,100 body-only and £1,300 for a kit with an 18-105mm lens. At present you can pick up the still-excellent D7000 for around £650 or £800 respectively. You would then need a strong reason to want the new model to justify buying one close to launch.
There's little to compare the D7100 to at present, as Canon's top-of-the-line APS-C body - Canon EOS 60D is also two years old now, and Canon is yet to show its replacement.
Source: http://www.expertreviews.co.uk/dslrs/1298362/nikon-d7100-review-hands-on
Best Digital Camera 2013 decided by Reviews
When it comes to choosing a camera there are so many different factors that need to be considered, the first is the type of camera you wish to go for, second is your budget, although the two pretty much go hand in hand. When looking for the best digital camera in 2013, which has been decided by their positive reviews, we can’t help notice that there are a few older models in the list. The reason for this is because some of them are still far better than many of the new models hitting the market.
So let us look at six of the best camera models, which we have broken down into 3 categories, DSLR, Superzoom and Compact.
Best DSLR cameras for 2013
First up we have the Canon EOS 6D, which we recently pitted against the 7D and Nikon D600. This is a full-frame camera that comes in a compact body, ideal for those who don’t wish to lug a beast around. PC Mag loves the fact that this is pretty cheap for its class and comes with some top-notch features, although this isn’t the fastest on the block and the GPS loves to drain the battery.
Tech Radar has given the Nikon D5100 four and a half out of five stars. They loved its high resolution and precise LCD display, the lack of control over the exposures can be a bit of a turn off. However, both novices and enthusiasts will love the D5100.
Best Superzoom cameras for 2013
The Panasonic Lumix DMC-FZ200 has been voted very highly by PC Mag, and while this is a 2012 camera it still has more to offer than some of the new models coming out now. While the DMC-FZ200 has a lack-luster zoom ratio, the speedy performance and sharp lens more than makes up for this downfall.
The Sony Cyber-shot DSC-HX30V is getting on a little now, but the excellent photo quality and fast performance proves that there is life in the old dog yet. However, it’s a little on the expensive side and can take some time to master the features. An in-depth review of this camera can be found by visiting CNET.
Best Compact cameras for 2013
The Sony Cyber-shot DSC-RX100 has a huge sensor for such a compact camera, and you will be amazed at how close the images come to those taken with a more expensive DSLR. However, this is still a little pricey and does not have as much optical zoom as we would have hoped. PC Mag has a full review on this compact camera.
A review of the Sony Cyber-shot DSC-WX150 sees this compact score an impressive four out of five stars. This camera is said to be very fast and the 10x optical zoom is pretty good considering its size. However, it seems that the 18-megapixel lens is a bit of an overkill and because there is not much weight to the camera it can become a little tough to keep steady while taking a photo.
Source: http://www.product-reviews.net/2013/03/07/best-digital-camera-decided-by-reviews-for-2013/
So let us look at six of the best camera models, which we have broken down into 3 categories, DSLR, Superzoom and Compact.
Best DSLR cameras for 2013
First up we have the Canon EOS 6D, which we recently pitted against the 7D and Nikon D600. This is a full-frame camera that comes in a compact body, ideal for those who don’t wish to lug a beast around. PC Mag loves the fact that this is pretty cheap for its class and comes with some top-notch features, although this isn’t the fastest on the block and the GPS loves to drain the battery.
Tech Radar has given the Nikon D5100 four and a half out of five stars. They loved its high resolution and precise LCD display, the lack of control over the exposures can be a bit of a turn off. However, both novices and enthusiasts will love the D5100.
Best Superzoom cameras for 2013
The Panasonic Lumix DMC-FZ200 has been voted very highly by PC Mag, and while this is a 2012 camera it still has more to offer than some of the new models coming out now. While the DMC-FZ200 has a lack-luster zoom ratio, the speedy performance and sharp lens more than makes up for this downfall.
The Sony Cyber-shot DSC-HX30V is getting on a little now, but the excellent photo quality and fast performance proves that there is life in the old dog yet. However, it’s a little on the expensive side and can take some time to master the features. An in-depth review of this camera can be found by visiting CNET.
Best Compact cameras for 2013
The Sony Cyber-shot DSC-RX100 has a huge sensor for such a compact camera, and you will be amazed at how close the images come to those taken with a more expensive DSLR. However, this is still a little pricey and does not have as much optical zoom as we would have hoped. PC Mag has a full review on this compact camera.
A review of the Sony Cyber-shot DSC-WX150 sees this compact score an impressive four out of five stars. This camera is said to be very fast and the 10x optical zoom is pretty good considering its size. However, it seems that the 18-megapixel lens is a bit of an overkill and because there is not much weight to the camera it can become a little tough to keep steady while taking a photo.
Source: http://www.product-reviews.net/2013/03/07/best-digital-camera-decided-by-reviews-for-2013/
Tuesday, March 5, 2013
Nikon Coolpix P330 Review
Nikon is a relative newcomer to the small, high-quality compact camera market. Although for the past couple of years the Coolpix P300 and P310 offered excellent build quality and a similar user experience to competitive models like the Canon PowerShot S110, neither featured a raw capture mode, and both used comparatively small 1/2.3" sensor rather than the 1/1.7" sensors commonly found in their high-end peers.
The Nikon Coolpix P330 changes this dynamic, offering both raw mode and a larger, lower-resolution sensor (almost certainly the same 12MP one found in the Coolpix P7700), without sacrificing what was good about its predecessors - a compact form factor, relatively fast lens, good build quality, and a useful zoom range. As such it represents Nikon's most serious attempt to offer a real competitor to the Canon PowerShot S110 and its popular predecessors the S100 and S95. At an MSRP of $379, the P330 is competitive on price, too.
Nikon Coolpix P330: Key Specifications
12.2MP BSI-CMOS sensor
Raw Mode (.NRW)
24-120mm (equivalent) F1.8-5.6 optically-stabilized zoom lens
ISO 80-3200 (up to ISO 12,800 in manual mode)
Maximum 10fps shooting (for 10 frames)
Full HD, 1080/60i/30p movie recording
3" 921k-dot rear LCD screen
23 Scene modes including 3D
Built-in GPS
Approx 200 shots per charge (CIPA)
The Coolpix P330's lens is the fastest in the current Coolpix lineup, offering a maximum aperture of F1.8 at the wide end, just like its predecessor the P310. Don't get too excited though, because like Canon's PowerShot S110, the P330's lens gets pretty slow, pretty quickly as you zoom in. At the 120mm telephoto setting, its maximum aperture is F5.6. Not bad, and wide enough to give a hint of subject/background separation for portraiture, but not exactly 'fast'. Unfortunately, if you want a camera with a big sensor that still fits into your shirt pocket, this is the sacrifice that you have to make. Users of rivals such as Sony's Cyber-shot RX100 will be all too familiar with the compromise.
The P330 might look like an iterative upgrade to the P310, but the new camera has a larger 1/1.7" sensor, inherited from the P7700, and offers a raw capture mode. Both features should make the new camera more attractive to enthusiasts, and bring it into line with what now seems its most obvious competitor, the Canon PowerShot S110.
Here's how the P330's sensor compares to other cameras in terms of size (illustration to scale, but not actual size).
As you can see, 1/1.7" is a meaningful size increase over 1/2.3", but both are still considerable smaller than the CX-format that Sony uses in its Cyber-shot RX100, not to mention Micro Four Thirds and APS-C.
This graph (click for a larger version) shows the P330's aperture range expressed in terms of equivalent aperture for depth-of-field purposes. Because of the size of its sensor, the P330's aperture range of F1.8-5.6 is roughly equivalent to F8-22 when it comes to ability to offer background blur. This might not sound impressive, but it a fraction better than Canon PowerShot S110's lens in this respect.
In other regards, the P330 is basically what we'd expect of a camera in this class, at this point in time. Full manual exposure control is available, and PASM modes can be accessed from the exposure mode dial on the camera's top plate. The P330 has two command dials - one on the top, for operation with the thumb of the right hand, and one on the rear, comprising the 4-way controller.
As well as PASM modes, the P330 also offers a range of Scene modes for JPEG capture, and in common with most of its peers, GPS is built-in, too. The camera is also compatible with Nikon's WU-1a Wi-Fi adapter.
Like most compact cameras, the P330 lacks an optical viewfinder but its 3-inch, 921,000 dot LCD serves for image composition and review. The P330 differs from its big brother the P7700 in many ways, but significantly, it lacks a hotshoe, and its built-in flash cannot be used as a controller for external flashguns. This also distinguishes it from larger peers like the Fujifilm X20, Olympus XZ-2 and Panasonic LX7, all of which feature faster lenses, hotshoes, and in the case of the X20, a built-in optical viewfinder, too. The P330, like Canon's S110, sacrifices some of this versatility for reduced size and weight.
The P330's control logic is the same as that of the P310, with two control dials located on the top plate and rear of the camera for adjusting key exposure parameters. Unlike its main competitor the Canon PowerShot S110, the P330 does not offer a front-mounted control dial. This is a shame, since we've found that performing some actions - particularly aperture and exposure compensation - feel very natural using a control point in this position.
The P330's tiny built-in flash is activated with a mechanical catch and springs up from the camera's top-plate, providing enough power for relatively close-range portraits and 'fill in' when shooting outdoors.
On the front of the P330 you'll find a tiny Fn button, positioned within easy reach of your forefinger to the lower right of the lens. The button can be programmed to provide access to one of a number of options including image quality, Picture Control, white balance, metering, and ISO, among others.
A traditional exposure mode dial on the P330's top plate provides access to PASM exposure mode, as well as a user-configurable 'U' setting, full auto (shown as a green camera icon) Scene modes and Night Landscape mode.
This view shows the P330's integrated zoom control and shutter button. Behind it and to the right you'll see one of the P330's two command dials, used for setting exposure parameters.
And here's the second one, positioned on the rear of the camera.
Both dials are controlled with the thumb of your right hand, and by default, the rear dial controls aperture in the PASM modes and the upper dial controls shutter speed, but their functions can be swapped if you desire.
The P330 doesn't have much of a hand-grip, but this rubber accent on the upper-right of the camera's rear helps keep a firm hold when the camera is used one-handed. To its left you can see a flash confirmation light and the movie record button. The five vertical holes conceal the P330's tiny speaker, for audio alerts and video playback.
The P330's EN-EL12 battery and memory card share a compartment on the bottom of the camera, hidden behind a lockable door next to the tripod socket.
source: http://www.dpreview.com/previews/nikon-coolpix-p330/
The Nikon Coolpix P330 changes this dynamic, offering both raw mode and a larger, lower-resolution sensor (almost certainly the same 12MP one found in the Coolpix P7700), without sacrificing what was good about its predecessors - a compact form factor, relatively fast lens, good build quality, and a useful zoom range. As such it represents Nikon's most serious attempt to offer a real competitor to the Canon PowerShot S110 and its popular predecessors the S100 and S95. At an MSRP of $379, the P330 is competitive on price, too.
Nikon Coolpix P330: Key Specifications
12.2MP BSI-CMOS sensor
Raw Mode (.NRW)
24-120mm (equivalent) F1.8-5.6 optically-stabilized zoom lens
ISO 80-3200 (up to ISO 12,800 in manual mode)
Maximum 10fps shooting (for 10 frames)
Full HD, 1080/60i/30p movie recording
3" 921k-dot rear LCD screen
23 Scene modes including 3D
Built-in GPS
Approx 200 shots per charge (CIPA)
The Coolpix P330's lens is the fastest in the current Coolpix lineup, offering a maximum aperture of F1.8 at the wide end, just like its predecessor the P310. Don't get too excited though, because like Canon's PowerShot S110, the P330's lens gets pretty slow, pretty quickly as you zoom in. At the 120mm telephoto setting, its maximum aperture is F5.6. Not bad, and wide enough to give a hint of subject/background separation for portraiture, but not exactly 'fast'. Unfortunately, if you want a camera with a big sensor that still fits into your shirt pocket, this is the sacrifice that you have to make. Users of rivals such as Sony's Cyber-shot RX100 will be all too familiar with the compromise.
The P330 might look like an iterative upgrade to the P310, but the new camera has a larger 1/1.7" sensor, inherited from the P7700, and offers a raw capture mode. Both features should make the new camera more attractive to enthusiasts, and bring it into line with what now seems its most obvious competitor, the Canon PowerShot S110.
Here's how the P330's sensor compares to other cameras in terms of size (illustration to scale, but not actual size).
As you can see, 1/1.7" is a meaningful size increase over 1/2.3", but both are still considerable smaller than the CX-format that Sony uses in its Cyber-shot RX100, not to mention Micro Four Thirds and APS-C.
This graph (click for a larger version) shows the P330's aperture range expressed in terms of equivalent aperture for depth-of-field purposes. Because of the size of its sensor, the P330's aperture range of F1.8-5.6 is roughly equivalent to F8-22 when it comes to ability to offer background blur. This might not sound impressive, but it a fraction better than Canon PowerShot S110's lens in this respect.
In other regards, the P330 is basically what we'd expect of a camera in this class, at this point in time. Full manual exposure control is available, and PASM modes can be accessed from the exposure mode dial on the camera's top plate. The P330 has two command dials - one on the top, for operation with the thumb of the right hand, and one on the rear, comprising the 4-way controller.
As well as PASM modes, the P330 also offers a range of Scene modes for JPEG capture, and in common with most of its peers, GPS is built-in, too. The camera is also compatible with Nikon's WU-1a Wi-Fi adapter.
Body & Design
Like most compact cameras, the P330 lacks an optical viewfinder but its 3-inch, 921,000 dot LCD serves for image composition and review. The P330 differs from its big brother the P7700 in many ways, but significantly, it lacks a hotshoe, and its built-in flash cannot be used as a controller for external flashguns. This also distinguishes it from larger peers like the Fujifilm X20, Olympus XZ-2 and Panasonic LX7, all of which feature faster lenses, hotshoes, and in the case of the X20, a built-in optical viewfinder, too. The P330, like Canon's S110, sacrifices some of this versatility for reduced size and weight.
The P330's control logic is the same as that of the P310, with two control dials located on the top plate and rear of the camera for adjusting key exposure parameters. Unlike its main competitor the Canon PowerShot S110, the P330 does not offer a front-mounted control dial. This is a shame, since we've found that performing some actions - particularly aperture and exposure compensation - feel very natural using a control point in this position.
The P330's tiny built-in flash is activated with a mechanical catch and springs up from the camera's top-plate, providing enough power for relatively close-range portraits and 'fill in' when shooting outdoors.
On the front of the P330 you'll find a tiny Fn button, positioned within easy reach of your forefinger to the lower right of the lens. The button can be programmed to provide access to one of a number of options including image quality, Picture Control, white balance, metering, and ISO, among others.
A traditional exposure mode dial on the P330's top plate provides access to PASM exposure mode, as well as a user-configurable 'U' setting, full auto (shown as a green camera icon) Scene modes and Night Landscape mode.
This view shows the P330's integrated zoom control and shutter button. Behind it and to the right you'll see one of the P330's two command dials, used for setting exposure parameters.
And here's the second one, positioned on the rear of the camera.
Both dials are controlled with the thumb of your right hand, and by default, the rear dial controls aperture in the PASM modes and the upper dial controls shutter speed, but their functions can be swapped if you desire.
The P330 doesn't have much of a hand-grip, but this rubber accent on the upper-right of the camera's rear helps keep a firm hold when the camera is used one-handed. To its left you can see a flash confirmation light and the movie record button. The five vertical holes conceal the P330's tiny speaker, for audio alerts and video playback.
The P330's EN-EL12 battery and memory card share a compartment on the bottom of the camera, hidden behind a lockable door next to the tripod socket.
source: http://www.dpreview.com/previews/nikon-coolpix-p330/
Nikon Coolpix A Review
Nikon Coolpix A Review
The latest manufacturer to deliver is Nikon, with its new Coolpix A, a fixed-focal-length lens model with AN APS-C sensing element on the lines of Fujifilm's well-liked X100 and X100s. At $1,099, however, this camera is not for everybody, and initially look has a minimum of a handful of competitive weaknesses.
The trend toward larger sensing element sizes is very important, as a result of all things being equal, larger sensors tend to deliver higher quality, and makers tend to surround them with higher quality elements. however the cameras also are essentially larger and equipped with fixed-focal length, instead of zoom lenses (for higher optics). At their higher costs, though, many folks realize that a camera with a medium-size sensing element cost accounting a whole bunch less is sweet enough.
During my temporary likelihood to handle the Coolpix A, it actually felt solid and well-designed. The manual specialise in the lens ring is servoelectronic, that some folks don't love, however optical device appeared zippy enough. I would like it had a true grip rather than the only ridge on the front, though.
On the and aspect, it's comparatively compact, simply slightly larger than the RX100 and considerably smaller than the X100s. It conjointly encompasses a larger, denser liquid crystal {display|LCD|digital display|alphanumeric display} display compared with the rather "meh" version on the X100s. i feel the X100s' 35mm-equivalent lens could be a very little a lot of sensible than the Nikon's 28mm, although that is a private preference; the Fujifilm's could be a stop quicker, though.
But there is quite an little bit of a draw back. i think the road value of the Coolpix A are going to be concerning $999 and therefore the X100s concerning $1,099 (based on the value history of the X100), which might be pretty competitive -- if the Coolpix A had a constitutional optical device. Nikon are going to be charging $450 for a comparatively normal Reverse Galilean with ninety % coverage. The X100s not solely has one inbuilt, however it is a cool hybrid one. Fujifilm's model conjointly uses the company's OLPF-free X-Trans CMOS II and encompasses a 9-bladed aperture for rounder, power tool out-of-focus areas, compared to the Nikon's seven blades -- the minimum you'll escape with for good results. whereas the Nikon's sensing element ought to be pretty smart -- i feel it is the same or like the one within the D5200 with some tweaks to optimize the sunshine gathering during this style -- plenty of parents should wish to envision considerably higher image quality for the additional few hundred greenbacks over a camera with a smaller sensing element just like the RX100 or the Canon G1 X. And battery life? i assumed 330 shots was unhealthy for a $1,200 camera, however Nikon's rating of 230 shots is abysmal.
The latest manufacturer to deliver is Nikon, with its new Coolpix A, a fixed-focal-length lens model with AN APS-C sensing element on the lines of Fujifilm's well-liked X100 and X100s. At $1,099, however, this camera is not for everybody, and initially look has a minimum of a handful of competitive weaknesses.
The trend toward larger sensing element sizes is very important, as a result of all things being equal, larger sensors tend to deliver higher quality, and makers tend to surround them with higher quality elements. however the cameras also are essentially larger and equipped with fixed-focal length, instead of zoom lenses (for higher optics). At their higher costs, though, many folks realize that a camera with a medium-size sensing element cost accounting a whole bunch less is sweet enough.
During my temporary likelihood to handle the Coolpix A, it actually felt solid and well-designed. The manual specialise in the lens ring is servoelectronic, that some folks don't love, however optical device appeared zippy enough. I would like it had a true grip rather than the only ridge on the front, though.
On the and aspect, it's comparatively compact, simply slightly larger than the RX100 and considerably smaller than the X100s. It conjointly encompasses a larger, denser liquid crystal {display|LCD|digital display|alphanumeric display} display compared with the rather "meh" version on the X100s. i feel the X100s' 35mm-equivalent lens could be a very little a lot of sensible than the Nikon's 28mm, although that is a private preference; the Fujifilm's could be a stop quicker, though.
But there is quite an little bit of a draw back. i think the road value of the Coolpix A are going to be concerning $999 and therefore the X100s concerning $1,099 (based on the value history of the X100), which might be pretty competitive -- if the Coolpix A had a constitutional optical device. Nikon are going to be charging $450 for a comparatively normal Reverse Galilean with ninety % coverage. The X100s not solely has one inbuilt, however it is a cool hybrid one. Fujifilm's model conjointly uses the company's OLPF-free X-Trans CMOS II and encompasses a 9-bladed aperture for rounder, power tool out-of-focus areas, compared to the Nikon's seven blades -- the minimum you'll escape with for good results. whereas the Nikon's sensing element ought to be pretty smart -- i feel it is the same or like the one within the D5200 with some tweaks to optimize the sunshine gathering during this style -- plenty of parents should wish to envision considerably higher image quality for the additional few hundred greenbacks over a camera with a smaller sensing element just like the RX100 or the Canon G1 X. And battery life? i assumed 330 shots was unhealthy for a $1,200 camera, however Nikon's rating of 230 shots is abysmal.
Saturday, March 2, 2013
Sharper Shoots Nikon D7100
Sharper Shoots Nikon D7100
On the surface, the long-overdue update to the Nikon D7000 does not seem like an enormous advance, however its replacement, the D7100, appears to possess many delicate -- Associate in Nursingd some not-so-subtle -- enhancements that have the potential to create it a compelling possibility in an more and more competitive crowd. wherever once the corporate had to fret solely concerning Canon with relevancy advanced amateur SLRs, Pentax and Sony currently turn out some killer cameras, sturdily designed and capable of shooting nice photos with nice speed.
Most interesting: although it's identical resolution because the D5200, the D7100 uses a replacement Associate in Nursingd completely different device that lacks an optical low-pass filter (OLPF), aka Associate in Nursing technique filter, very like the Pentax K-5 IIs. Dropping the filter is meant to extend the sharpness of the native pictures while not introducing the kinds of artifacts you get once sharpening in post. The trade-off tends to be hyperbolic moiré, that the camera will sometimes address adequately for stills however less thus for video. not like Pentax, that offers a a lot of ancient OLPF version, Nikon's golf shot all its pixels in one basket and providing simply the one model -- for currently, at least. (Not a clue what i am talking about? strive reading this primer.)
The device has improved readout speed over the D7000, that Nikon attributes to a a lot of economical style instead of a lot of output channels, Associate in Nursingd improved noise reduction partially due to an upgrade to the present Expeed three image-processing engine.
Increased sharpness is that the goal with the view finder and alphanumeric display yet. The optical aspects of the view finder area unit effectively identical, however the readout currently uses Associate in Nursing OLED show for higher-contrast text. The LCD's not articulated, however larger and far higher-resolution.
Two notable enhancements that Nikon claims to possess created to the optical device system embrace center-point sensitivity up to f8 and quicker (compared with f5.6 for the D7000), an enormous deal for serious photograph shooters, and enhancements to the distinction (Live View) optical device to ameliorate that annoying pulsing that seems once centered on a stationary subject throughout moving-picture show shooting.
The company has additionally supplemental Associate in Nursing intriguing spot-white-balance feature, offered solely in Live read mode. It sounds nice, however it might be nice if it might act like Associate in Nursing eyedropper instead, kind of a band aid thanks to choose a color temperature to calibrate against. different tweaked options embrace a two-shot, tripod-free automatic HDR and increasing the exposure bracketing to up to 5 shots +/- three eV.
While i am not an enormous crop mode user, Nikon's introducing a one.3x crop mode for a good 2x crop issue (Nikon's mathematics, not mine), manufacturing a fifteen.4-megapixel image. therein mode, continuous-shooting speed rises to concerning seven frames per second and you gain a 1080/60i/50i moving-picture show mode.
Nikon guarantees improved performance, a no brainer when 3 years. the important queries area unit whether or not it'll be considerably quicker than the D5200 and whether or not the OLPF-free image quality are gotta-have-it higher. it is also vital to notice that the 7D is kind of previous yet and each it and therefore the SLT-A77V area unit seemingly to get replaced this year. Plus, Nikon's keeping the D7000 around for Associate in Nursing one amount -- still a good camera -- thus you have to observe for worth drops there.
When the D7000 shipped, Canon and Nikon were just about the sole games in city for this sort of camera, however within the interim, Sony and Pentax have developed formidable choices with that Nikon must contend.
Nikon additionally proclaimed a price-and-availability-TBD hot-shoe-based uber remote tranceiver to figure in conjunction with the remainder of its wireless remote accessories. It operates within the two.4GHz vary up to 394 feet, and you'll be able to use another unit to relay on the far side that, and may management up to 3 channel teams of up to sixty four cameras every.
On the surface, the long-overdue update to the Nikon D7000 does not seem like an enormous advance, however its replacement, the D7100, appears to possess many delicate -- Associate in Nursingd some not-so-subtle -- enhancements that have the potential to create it a compelling possibility in an more and more competitive crowd. wherever once the corporate had to fret solely concerning Canon with relevancy advanced amateur SLRs, Pentax and Sony currently turn out some killer cameras, sturdily designed and capable of shooting nice photos with nice speed.
Most interesting: although it's identical resolution because the D5200, the D7100 uses a replacement Associate in Nursingd completely different device that lacks an optical low-pass filter (OLPF), aka Associate in Nursing technique filter, very like the Pentax K-5 IIs. Dropping the filter is meant to extend the sharpness of the native pictures while not introducing the kinds of artifacts you get once sharpening in post. The trade-off tends to be hyperbolic moiré, that the camera will sometimes address adequately for stills however less thus for video. not like Pentax, that offers a a lot of ancient OLPF version, Nikon's golf shot all its pixels in one basket and providing simply the one model -- for currently, at least. (Not a clue what i am talking about? strive reading this primer.)
The device has improved readout speed over the D7000, that Nikon attributes to a a lot of economical style instead of a lot of output channels, Associate in Nursingd improved noise reduction partially due to an upgrade to the present Expeed three image-processing engine.
Increased sharpness is that the goal with the view finder and alphanumeric display yet. The optical aspects of the view finder area unit effectively identical, however the readout currently uses Associate in Nursing OLED show for higher-contrast text. The LCD's not articulated, however larger and far higher-resolution.
Two notable enhancements that Nikon claims to possess created to the optical device system embrace center-point sensitivity up to f8 and quicker (compared with f5.6 for the D7000), an enormous deal for serious photograph shooters, and enhancements to the distinction (Live View) optical device to ameliorate that annoying pulsing that seems once centered on a stationary subject throughout moving-picture show shooting.
The company has additionally supplemental Associate in Nursing intriguing spot-white-balance feature, offered solely in Live read mode. It sounds nice, however it might be nice if it might act like Associate in Nursing eyedropper instead, kind of a band aid thanks to choose a color temperature to calibrate against. different tweaked options embrace a two-shot, tripod-free automatic HDR and increasing the exposure bracketing to up to 5 shots +/- three eV.
While i am not an enormous crop mode user, Nikon's introducing a one.3x crop mode for a good 2x crop issue (Nikon's mathematics, not mine), manufacturing a fifteen.4-megapixel image. therein mode, continuous-shooting speed rises to concerning seven frames per second and you gain a 1080/60i/50i moving-picture show mode.
Nikon guarantees improved performance, a no brainer when 3 years. the important queries area unit whether or not it'll be considerably quicker than the D5200 and whether or not the OLPF-free image quality are gotta-have-it higher. it is also vital to notice that the 7D is kind of previous yet and each it and therefore the SLT-A77V area unit seemingly to get replaced this year. Plus, Nikon's keeping the D7000 around for Associate in Nursing one amount -- still a good camera -- thus you have to observe for worth drops there.
When the D7000 shipped, Canon and Nikon were just about the sole games in city for this sort of camera, however within the interim, Sony and Pentax have developed formidable choices with that Nikon must contend.
Nikon additionally proclaimed a price-and-availability-TBD hot-shoe-based uber remote tranceiver to figure in conjunction with the remainder of its wireless remote accessories. It operates within the two.4GHz vary up to 394 feet, and you'll be able to use another unit to relay on the far side that, and may management up to 3 channel teams of up to sixty four cameras every.
Tuesday, February 12, 2013
Best Prosumer dSLR Camera: Nikon D7000 (body only)
Best Prosumer dSLR Camera under $1000: Nikon D7000 (body only)
When it involves mid-to-high-end dSLRs, it takes quite an bit to float my boat of late. i am not craving for whizzy new options, daring redesigns, or insane burst rates for either myself or the consumers I advise; to Pine Tree State, the right camera simply gets out of the method between my eye and also the final photograph (and maybe video). that is plenty a lot of elusive than you'd expect. however shooting with the Nikon D7000 ofttimes came near delivering the photographic tinglies Associate in Nursing exceedingly|in a very} method i have not felt in method too long--I suppose since I gave the Canon Eos 5D Mark II an Editors' selection Award nearly 2 years agone. Of course, the same old caveats apply: it isn't the correct camera for everybody and it isn't best at everything. however its combination of style, feature set, performance, and exposure quality for worth|the worth|the value} is tough to beat (and are going to be particularly thus once the road price starts to drop).

There's a type of new Nikon technical school within the D7000 over older models, together with a replacement Nikon-designed sixteen.2-megapixel detector let alone its Expeed a pair of processor; with this pairing, Nikon ups its analog-to-digital conversion to 14-bit process. there is conjointly a replacement metering detector and a lot of refined optical device system. it is also Nikon's 1st dSLR to rise to 1080p HD video--albeit solely 24fps--with the "added bonus" of regular optical device throughout video capture. and also the body's construction, although approximately as tanklike because the D300s, incorporates Associate in Nursing all-metal chassis with atomic number 12 alloy covers (the rest is polycarbonate), and is sealed against mud and wet just like the D300s.
exposure quality is 1st rate, and, despite the resolution increase, stands up o.k. against the D300s in addition as most competitors. although i might in all probability say the D7000's JPEG photos area unit stop working through solely ISO 800, they continue to be excellent through ISO one,600. By ISO 3,200, shadow detail gets pretty reedy. you'll be able to eke out a few stop a lot of of usability out the D7000's medium-high ISO sensitivities by exploitation raw rather than JPEGs, or a minimum of by tweaking the default camera settings. Granted, the photographs are not noise-free, however the monochrome-grain look is a lot of enticing than the in-camera err-on-the-side-of-color-noise approach, and there looks to be enough dynamic vary that there is still shadow detail and small loss of sharpness.
Exposure and metering area unit solid and consistent, and it reproduces color dependably after you wish it to. Nikon pushes the saturation a little in its default commonplace image management, however it does not show the wholesale color shifts we tend to tend to ascertain on lower-end models. However, after you compare the Neutral setting with all the others, you'll be able to tell it pushes the distinction to the purpose wherever you really lose shadow detail.
The video appearance solid, however not standout. It's sharp, however there is a very little a lot of color noise and moire than I like; I did not have abundant downside with rolling shutter, though, which might sometimes be created on demand. The regular optical device is pretty useless. Not solely is it too simply confused, like most distinction optical device systems--if your subject is moving it hunts a lot--but you certainly would like Associate in Nursing external mike with it as a result of the lens noise is incredibly obvious.
For all intents and functions, with the exception of burst shooting, the D7000 runs neck and neck with the 60D for speed--and they are each very quick. Time to power on and be after the D7000 is negligible, very like it absolutely was for the D90. It takes a mere zero.3 second to focus and shoot in sensible light-weight, rising to solely zero.5 second in dim light-weight. It generally takes concerning zero.6 second for 2 serial raw shots (0.5 for JPEG), bumping up to zero.7 second with flash enabled. Shot-to-shot time is that the solely nonburst speed wherever the D7000 is slower than the dearer D300s, however solely by a little and that is probably as a result of the D300s uses quicker CompactFlash. and also the D7000's five.7fps burst rate is sort of sensible for a nonpro camera.

There area unit a bunch of optical device options: Single-point AF; 9-, 21- or 39-point dynamic; 3D tracking; and full car. Shooting with commonplace single-point optical device feels nearly fast most of the time, and although the automated AF is equally quick, it's even as dangerous as all different car AF systems, inveterately selecting the incorrect subjects. i could not completely check the assorted dynamic AF choices, however AF throughout continuous shooting looks to deliver similar performance to the D90. it is very sensible, however with constant issues that generally plague trailing AF systems; you've got to fastidiously opt for your settings supported the scene (such as going with the 9-point mode rather than the 39-point mode), as an example, to forestall it from slippy off the topic and protection on one thing within the background, and it isn't very effective for subjects moving toward and removed from you, simply those moving laterally.
In the D7000, Nikon tends to supply plenty of helpful choices on core options instead of whizzy however less essential capabilities. It's got 2 saved settings slots on the mode dial--less powerful than the settings banks in Nikon's older mid-to-high-end dSLRs, however with a a lot of sensible, simple implementation which means they are a lot of probably to induce used. i am hoping that within the future (probably during a dearer model) Nikon manages a mixture of the 2 systems: saved, named banks of settings that you simply will combine and match and assign to the dial.
There area unit 2 SDXC card slots, that is each uncommon and welcome, and you'll be able to tack them in purposeful ways: for overflow, backup, raw vs. JPEG, video vs. still. i used to be to a small degree aggravated with the card-to-card copy, though. excited to own it, however once it's done it simply stops and goes dark. I traced a directory 3 times thinking the camera had died within the middle before realizing that it had, in fact, worked the primary time.
Though it offers a most of three-shot exposure bracketing, it will handle up to a two-stop interval, that is uncommon. Plus, it's a completely unique two-frame under/over bracket, that I imagine will are available in handy. you'll be able to conjointly set manual white balance from saved pictures on a card or by the everyday measurement method--and they'll be annotated and up to 5 presets stored; most cameras, particularly during this category and down, supply solely a set of these capabilities. For video capture, you've full manual exposure controls and one or two of mike sensitivity settings.
it isn't a light-weight camera, however it feels terribly durable and well designed, with a solid grip and enough heft to offset the burden of the many significant professional lenses. The finder is gorgeous to use, particularly compared with the dim, squint-eyed ones found within the cheaper SLRs. It's comparatively bright, with one hundred pc scene coverage, Associate in Nursing facultative grid overlay, and huge AF-area indicators. Rubber covers hide the connectors for composite and HDMI video, USB, and a mic and proprietary GPS connecter.
But a number of the most effective aspects of the D7000 area unit the changes from the standard Nikon body style that i feel area unit nice. additionally to those already mentioned, just like the user settings on the mode dial, there is a smartly designed movie/Live read switch and dedicated record button. the placement of the lock-release button for the release-mode dial on the D7000 is toward the rear rather than the front (as it's on the D3s, for example). it is a delicate modification, however I realize it easier to use this way--I will hold it down with my thumb.
Nikon has captive the management for choosing among the AF modes (auto, single, and continuous) to an explicit button-dial combination. Yay! the choice conjointly seems within the finder thus you'll be able to modification modes while not taking the camera removed from your eye. Double yay! and also the camera uses a replacement battery grip that supports AA batteries in addition as Nikon's proprietary atomic number 3 particle power.
Of course, I still have a couple of quibbles with the look, although no showstoppers. Nikon sticks with the standard vertical arrangement of menu, white balance, ISO sensitivity and quality buttons down the left aspect of the LCD. The buttons feel identical, which needs that you simply pay to a small degree a lot of attention than i might like.
I conjointly concluded up having to disable modeling flash; with a flash within the hotshoe, the flash compensation button triggers the modeling flash and that i repeatedly unsighted folks and animals by accidentally pressing the button throughout traditional camera handling.
The D7000 feels like each a compelling low-cost various to the D300s and a major upgrade over the D90 for not plenty of cash. For video shooters, the cheaper 60D still includes a slight edge; although several indie videographers tend to like 24p, at the terribly least it's nice to own the 30p possibility, and 30fps with regular optical device is a lot of enticing to the thought user. and several of us, together with Pine Tree State, love the articulated LCDs. however it's onerous to argue against the higher coverage for the finder, quicker burst shooting with a deeper buffer and quick optical device, and a a lot of sturdy body construction.
The Nikon D7000 stands out as an excellent camera for skilled photographers and execs World Health Organization do not have specific desires like full frame or quickest burst doable. It's big-ticket for a primary dSLR, and there area unit lots of sub-$1,000 models to fill that require. however if you are able to replace your current dSLR with one thing to a small degree a lot of powerful, a glance at the D7000 ought to high your commotion list.
When it involves mid-to-high-end dSLRs, it takes quite an bit to float my boat of late. i am not craving for whizzy new options, daring redesigns, or insane burst rates for either myself or the consumers I advise; to Pine Tree State, the right camera simply gets out of the method between my eye and also the final photograph (and maybe video). that is plenty a lot of elusive than you'd expect. however shooting with the Nikon D7000 ofttimes came near delivering the photographic tinglies Associate in Nursing exceedingly|in a very} method i have not felt in method too long--I suppose since I gave the Canon Eos 5D Mark II an Editors' selection Award nearly 2 years agone. Of course, the same old caveats apply: it isn't the correct camera for everybody and it isn't best at everything. however its combination of style, feature set, performance, and exposure quality for worth|the worth|the value} is tough to beat (and are going to be particularly thus once the road price starts to drop).

There's a type of new Nikon technical school within the D7000 over older models, together with a replacement Nikon-designed sixteen.2-megapixel detector let alone its Expeed a pair of processor; with this pairing, Nikon ups its analog-to-digital conversion to 14-bit process. there is conjointly a replacement metering detector and a lot of refined optical device system. it is also Nikon's 1st dSLR to rise to 1080p HD video--albeit solely 24fps--with the "added bonus" of regular optical device throughout video capture. and also the body's construction, although approximately as tanklike because the D300s, incorporates Associate in Nursing all-metal chassis with atomic number 12 alloy covers (the rest is polycarbonate), and is sealed against mud and wet just like the D300s.
exposure quality is 1st rate, and, despite the resolution increase, stands up o.k. against the D300s in addition as most competitors. although i might in all probability say the D7000's JPEG photos area unit stop working through solely ISO 800, they continue to be excellent through ISO one,600. By ISO 3,200, shadow detail gets pretty reedy. you'll be able to eke out a few stop a lot of of usability out the D7000's medium-high ISO sensitivities by exploitation raw rather than JPEGs, or a minimum of by tweaking the default camera settings. Granted, the photographs are not noise-free, however the monochrome-grain look is a lot of enticing than the in-camera err-on-the-side-of-color-noise approach, and there looks to be enough dynamic vary that there is still shadow detail and small loss of sharpness.
Exposure and metering area unit solid and consistent, and it reproduces color dependably after you wish it to. Nikon pushes the saturation a little in its default commonplace image management, however it does not show the wholesale color shifts we tend to tend to ascertain on lower-end models. However, after you compare the Neutral setting with all the others, you'll be able to tell it pushes the distinction to the purpose wherever you really lose shadow detail.
The video appearance solid, however not standout. It's sharp, however there is a very little a lot of color noise and moire than I like; I did not have abundant downside with rolling shutter, though, which might sometimes be created on demand. The regular optical device is pretty useless. Not solely is it too simply confused, like most distinction optical device systems--if your subject is moving it hunts a lot--but you certainly would like Associate in Nursing external mike with it as a result of the lens noise is incredibly obvious.
For all intents and functions, with the exception of burst shooting, the D7000 runs neck and neck with the 60D for speed--and they are each very quick. Time to power on and be after the D7000 is negligible, very like it absolutely was for the D90. It takes a mere zero.3 second to focus and shoot in sensible light-weight, rising to solely zero.5 second in dim light-weight. It generally takes concerning zero.6 second for 2 serial raw shots (0.5 for JPEG), bumping up to zero.7 second with flash enabled. Shot-to-shot time is that the solely nonburst speed wherever the D7000 is slower than the dearer D300s, however solely by a little and that is probably as a result of the D300s uses quicker CompactFlash. and also the D7000's five.7fps burst rate is sort of sensible for a nonpro camera.

There area unit a bunch of optical device options: Single-point AF; 9-, 21- or 39-point dynamic; 3D tracking; and full car. Shooting with commonplace single-point optical device feels nearly fast most of the time, and although the automated AF is equally quick, it's even as dangerous as all different car AF systems, inveterately selecting the incorrect subjects. i could not completely check the assorted dynamic AF choices, however AF throughout continuous shooting looks to deliver similar performance to the D90. it is very sensible, however with constant issues that generally plague trailing AF systems; you've got to fastidiously opt for your settings supported the scene (such as going with the 9-point mode rather than the 39-point mode), as an example, to forestall it from slippy off the topic and protection on one thing within the background, and it isn't very effective for subjects moving toward and removed from you, simply those moving laterally.
In the D7000, Nikon tends to supply plenty of helpful choices on core options instead of whizzy however less essential capabilities. It's got 2 saved settings slots on the mode dial--less powerful than the settings banks in Nikon's older mid-to-high-end dSLRs, however with a a lot of sensible, simple implementation which means they are a lot of probably to induce used. i am hoping that within the future (probably during a dearer model) Nikon manages a mixture of the 2 systems: saved, named banks of settings that you simply will combine and match and assign to the dial.
There area unit 2 SDXC card slots, that is each uncommon and welcome, and you'll be able to tack them in purposeful ways: for overflow, backup, raw vs. JPEG, video vs. still. i used to be to a small degree aggravated with the card-to-card copy, though. excited to own it, however once it's done it simply stops and goes dark. I traced a directory 3 times thinking the camera had died within the middle before realizing that it had, in fact, worked the primary time.
Though it offers a most of three-shot exposure bracketing, it will handle up to a two-stop interval, that is uncommon. Plus, it's a completely unique two-frame under/over bracket, that I imagine will are available in handy. you'll be able to conjointly set manual white balance from saved pictures on a card or by the everyday measurement method--and they'll be annotated and up to 5 presets stored; most cameras, particularly during this category and down, supply solely a set of these capabilities. For video capture, you've full manual exposure controls and one or two of mike sensitivity settings.
it isn't a light-weight camera, however it feels terribly durable and well designed, with a solid grip and enough heft to offset the burden of the many significant professional lenses. The finder is gorgeous to use, particularly compared with the dim, squint-eyed ones found within the cheaper SLRs. It's comparatively bright, with one hundred pc scene coverage, Associate in Nursing facultative grid overlay, and huge AF-area indicators. Rubber covers hide the connectors for composite and HDMI video, USB, and a mic and proprietary GPS connecter.
But a number of the most effective aspects of the D7000 area unit the changes from the standard Nikon body style that i feel area unit nice. additionally to those already mentioned, just like the user settings on the mode dial, there is a smartly designed movie/Live read switch and dedicated record button. the placement of the lock-release button for the release-mode dial on the D7000 is toward the rear rather than the front (as it's on the D3s, for example). it is a delicate modification, however I realize it easier to use this way--I will hold it down with my thumb.
Nikon has captive the management for choosing among the AF modes (auto, single, and continuous) to an explicit button-dial combination. Yay! the choice conjointly seems within the finder thus you'll be able to modification modes while not taking the camera removed from your eye. Double yay! and also the camera uses a replacement battery grip that supports AA batteries in addition as Nikon's proprietary atomic number 3 particle power.
Of course, I still have a couple of quibbles with the look, although no showstoppers. Nikon sticks with the standard vertical arrangement of menu, white balance, ISO sensitivity and quality buttons down the left aspect of the LCD. The buttons feel identical, which needs that you simply pay to a small degree a lot of attention than i might like.
I conjointly concluded up having to disable modeling flash; with a flash within the hotshoe, the flash compensation button triggers the modeling flash and that i repeatedly unsighted folks and animals by accidentally pressing the button throughout traditional camera handling.
The D7000 feels like each a compelling low-cost various to the D300s and a major upgrade over the D90 for not plenty of cash. For video shooters, the cheaper 60D still includes a slight edge; although several indie videographers tend to like 24p, at the terribly least it's nice to own the 30p possibility, and 30fps with regular optical device is a lot of enticing to the thought user. and several of us, together with Pine Tree State, love the articulated LCDs. however it's onerous to argue against the higher coverage for the finder, quicker burst shooting with a deeper buffer and quick optical device, and a a lot of sturdy body construction.
The Nikon D7000 stands out as an excellent camera for skilled photographers and execs World Health Organization do not have specific desires like full frame or quickest burst doable. It's big-ticket for a primary dSLR, and there area unit lots of sub-$1,000 models to fill that require. however if you are able to replace your current dSLR with one thing to a small degree a lot of powerful, a glance at the D7000 ought to high your commotion list.
Saturday, February 9, 2013
Superzoom Series | Nikon Coolpix P510 Review
Nikon Coolpix P510 Specification:
Price (MSRP) | $429.95 |
Dimensions (WHD) | 4.8x3.3x4.1 inches |
Weight (with battery and media) | 1 pound 3.6 ounces |
Megapixels, image sensor size, type | 16 megapixels, 1/2.3-inch backside-illuminated CMOS |
LCD size, resolution/viewfinder | 3-inch LCD, 921K dots/Yes, electronic |
Lens (zoom, aperture, focal length) | 42x, f3.0-5.9, 24-1,000mm (35mm equivalent) |
File format (still/video) | JPEG/H.264 AAC (MOV) |
Highest resolution size (still/video) | 4,608x3,456 pixels/1,920x1,080p at 30fps |
Image stabilization type | Optical and digital |
Battery type, CIPA rated life | Li-ion rechargeable, 240 shots |
Battery charged in camera | Yes; wall adapter or computer via Micro-USB |
Storage media | SD/SDHC/SDXC |
Bundled software | ViewNX 2 (Windows, Mac) |
For those when absolutely the longest lens on a compact camera, meet the Nikon Coolpix P510. At roughly an equivalent size as Nikon's last life-size megazoom, the 36x 22.5-810mm P500, the P510 packs associate degree "oh wow"-inducing 42x 24-1,000mm lens.
The factor is, there don't seem to be lots of stuff you will do with a lens that long on what is primarily a camera. With the lens absolutely extended, it is very troublesome to carry the P510 still and keep your subject framed, and also the optical device is extremely slow, thus fast-moving targets square measure a challenge to shoot. Plus, whereas the image stabilization is extremely smart, you are still getting to wish it on a stand to avoid blur and victimization its higher ISO settings.
That said, the zoom vary will offer you lots of shooting flexibility and also the P510 has lots of different positive attributes that build it price recommending.
The Nikon Coolpix P510's exposure quality is extremely smart to wonderful and considerably higher than the P500. Now, that does not mean it's nearly as good as a digital SLR; picture element peepers can be thwarted by what its shots appear as if at 100%. For the P510's value and options, though, the general public ought to be over proud of its results.
At its 2 lowest ISOs, subjects hasten with fine detail ok for big prints up to eleven.5x15. Things look softer as noise reduction will increase as you go up in sensitivity, however it is not till you reach ISO 800 that subjects lose important detail and appearance slightly smeary at smaller sizes onscreen or in prints.
ISO 1600 is OK for internet use, however colours look muddy. the very best sensitivities -- ISO 3200 and ISO 6400 -- very are not usable. that is unfortunate as a result of once this camera's lens is absolutely extended, they'd be useful. (Read a lot of regarding the P510's exposure capabilities within the sample exposure slideshow.)
Video quality is pretty smart, definitely ok for internet use and nondiscriminating TV viewing. Panning the camera can produce some vibrate and that i detected trailing behind fast-moving subjects, however that is typical of the video from most compact cameras. The optical lens will perform whereas recording, however you'll hear the motor in your clips as you utilize it. However, a much bigger issue is that the camera's slow optical device. In fact, there have been times once I extended the lens and it ne'er centered.
The P510 contains a nice mixture of shooting modes, creating it an honest alternative for each snapshooters and people United Nations agency wish a lot of management. There square measure 2 motorcar modes on this camera. One is Nikon's Scene motorcar Selector, situated in with the opposite Scene modes. It adjusts settings fitly supported six common scene sorts. If the scene does not match any of these, it defaults to a general-use motorcar. Then there's associate degree motorcar mode, that shuts off all exposure settings from the user aside from image quality and size.
Outside of the Scene motorcar Selector there square measure sixteen different scene modes, like Landscape and Portrait moreover as a Pet Portrait mode that may mechanically shoot once it detects a cat or dog face, moreover as 2 panorama modes: simple and Panorama Assist. The latter uses a ghost image on the screen to assist you line up your serial photos. the previous simply needs you to press the shutter and pan the camera left, right, up, or right down to produce a panorama in private. These modes ne'er handle movement well, thus they are best used on scenery while not movement in it. Nikon additionally side an easy 3D exposure mode. It works just like the Panorama Assist mode; you are taking ammo, and move the camera slightly to the correct, and it fires off a second shot and combines them into one MPO file for viewing on a 3D show.
If you wish to try to to over simply purpose and shoot, Nikon includes Program, Aperture-priority, Shutter-speed-priority, and Manual modes on the P510. Shutter speeds square measure adjustable from eight seconds to 1/4,000 of a second. Apertures at the wide finish go from f3.0 to f8.3 with a complete of ten stops. The photograph finish has simply four stops: f5.9, f6.6, f7.4, and f8.3. on the far side aperture and shutter speed, Nikon includes manual changes for noise reduction, sharpening, contrast, and saturation, color filters and toning for monochrome photos, and things like exposure bracketing and flash exposure compensation. And if you come back up with a group you wish, you'll store them within the Custom mode for straightforward recall.
The P510, in general, could be a fast-shooting camera. From off to initial shot is barely over a second, and shot-to-shot times each with and while not flash square measure regarding one.7 seconds. If you wish to shoot quicker, the camera's high-speed burst can capture at half dozen.5 frames per second at full resolution for up to {5} frames. different continuous-shooting choices embrace a low-speed full-resolution burst capable of 1fps for up to thirty frames and 120fps and sixtyfps bursts that capture up to 60 shots at VGA and 1-megapixel resolution, severally.
Shutter lag -- the time it takes from pressing the shutter unharness to capture while not prefocusing -- is zero.4 second in smart lighting and zero.7 second in variable resistor conditions. However, once you begin extending the lens, the camera takes longer to focus. Once you get resolute the one,000mm position, it will be terribly slow to focus. infrequently, once within the burst mode, it might capture before it may focus. this is not uncommon, simply one thing to bear in mind of if you are going to shoot fast-moving subjects at the photograph finish of the lens.
The body style has barely modified from the P500. The camera is astonishingly compact considering the lens. and also the lens is absolutely the majority of the burden, that makes the remainder of the body feel light-weight and cheaply created. However, the right-hand grip is deep and cozy with a unsmooth rubber piece on front and also the giant lens barrel offers you ample house to carry and steady the camera together with your hand. The controls square measure well placed and responsive.
There's a tiny, but decent, electronic finder (EVF) and a vari-angle alphanumeric display for framing up your shots. The alphanumeric display pulls out from the body and may be tipped up or down, however it doesn't handle horizontally from the body and rotate. Like all LCDs and EVFs, the screen blanks out for a second once you've got taken an attempt, however it's moderately quick to recover. To the left of the EVF square measure a unit adjustment dial and a button for switch between the alphanumeric display and EVF. To its right square measure a show button for dynamic what info is viewed on the displays and a pic record button.
the remainder of the managements haven't modified from the P500 (it's a reasonably customary camera control layout). there's a rocker turn on the lens barrel for dominant the lens. It will be wont to pore and out (handy once shooting movies), snap the lens back a little in photograph ought to your subject move out of frame, or for manual focus. the sole different amendment could be a programmable perform button simply behind the shutter release; its default is for dynamic continuous-shooting modes, however will be set for ISO, white balance, metering, AF space mode, color mode, or image size.
The battery compartment and card slot square measure below a door on very cheap. The battery life is tight for this camera, however victimization the wall adapter takes over four hours to totally charge the battery from zero. If a typical day of shooting can embrace the high-speed burst modes and pic capture and victimization the 3-inch alphanumeric display and also the zoom lots, you will need a backup battery.
Outputs square measure below a canopy on the body's right side; you get a Mini-HDMI and a Micro-USB/AV port. {there's no|there is no|there isn't associate degreey|there is not any} accent shoe for an add-on flash, limiting you to the aboard pop-up one. It does not mechanically rise once required, remaining off till you push a button on the left aspect of the camera. It's adequately powerful and there square measure flash exposure compensation settings out there.
Lastly, the P510 has inherent GPS. It's strictly there for geotagging photos, thus no fancy maps or something like that. however it absolutely was comparatively quick to lock onto a proof, even within the middle of latest dynasty enclosed by tall buildings. Nikon sagely gave it its own tab within the menu interface, creating it simple to show it on and off.
Conclusion
I'm still unsure there is a smart reason to possess a 42x optical lens on a compact camera. But, regardless, the Nikon Coopix P510 is overall a awfully smart life-size megazoom although you ne'er use the complete zoom vary. And, actually, it's most likely higher if you do not.
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