Good Value Superzoom
By : Andy
I got this camera primarily because of the reach that a 30x zoom allows me, really that's it. I'm not a professional photographer. I'm just a guy who goes on photo kicks now and again to indulge my inner paparazzi. I think everything needs to be commemorated and documented for the purpose of later boring my friends and family. A flower, a bird, spilled ice cream... it's all gold! While I'd love a DSLR with a telephoto lens, I just can't justify the cost. Enter the L820. I had a Fujifilm FinePix S4200 Digital Camera which has a nice zoom, but I couldn't get it to focus on what I wanted it to focus on. I'm glad I didn't see a Yeti while using that camera, because the image would be blurry and no one would believe me. The Fuji has good reviews, but I wasn't satisfied so I returned it. I continued my hunt and found the L820. Good reviews, though relatively new so not as many as the Fuji, a good zoom, a good brand. I got a smokin' deal on it from an Amazon reseller (over $100 cheaper than Wal-Mart, and $30 cheaper than Amazon itself) so figured I'd give it a go. Pros and cons are a tried and true review method, so why mess with success?
Pros:
-Zoom is powerful, and with vibration reduction and a steady hand I captured some decent images without using a tripod. I never bother with digital zoom, but there's no real need given that the optical zoom is so powerful.
-Image quality is good. It's not great, but it's good. Remember, this is basically a point and shoot with a lens on steroids.
-Shooting modes. I've only just begun to play with these. There are color filter options, so you can have a black and white photo showing only red, or blue, or green, or whatever. It's artsy and interesting, although I don't find it that useful.
-Battery life is decent. The 4 double AAs they provide got me 647 shots, and still have a bit of life left in them. I only used flash a few times, probably under 10. As soon as these batteries die I'm going with Eneloops which are the greatest batteries on the face of the Earth if you ask me.
-Flash not needed as often as other point and shoots. I have yet to do any spelunking which will probably require a flash, but in low light situations I found the flash could stay down and not be used and pictures turned out pretty good. I'm not a camera genius, but I think this my have something to do with the CMOS sensor being used rather than a CCD, but don't quote me on that.
-Low shutter lag. Isn't this what always gets you? Look, that puppy is tap dancing while twirling a hula-hoop! Quick camera, take a picture. Then you hear the "vvvvffff", "vvvvffff" sound of the lens trying to focus. You see the image get blurry, blurrier, not as blurrier, clearer, clear... and snap. The dog is now sniffing another dog's butt, and no one believes what you saw. It's not instant, but it's pretty fast.
-Good grippy material for preventing slipping. Nothing is worse than taking photos from a boat with your new camera when a rogue wave causes a shudder and PLUNK, your new photo machine goes in the drink because its smooth sides provided no friction. Where the battery housing is there lives a nice, rubbery grip that allows a steady hold. Of course, you should have the neck strap on anyway, so even if it does slip, it's still attached to you.
-AA batteries. This is the must have item for me. I hate proprietary batteries that aren't readily available. Nothing is worse than traveling and having your battery die. Sure you can charge it, but that takes time. Being able to swap out some AA batteries which are easy to get at your local stop and rob is a huge convenience.
Cons:
-No view finder. C'mon Nikon, this thing is already too big for my pocket, you might as well add a view finder.
-LCD hard to see in bright sun with sunglasses. I know this might be picky, but if it's bright out, and you're outside, you're probably wearing sunglasses to keep your rods and cones from melting. I found that if I wanted to get a good look at the LCD, I had to raise my glasses and allow the UV light of our sun to start burning my retina while reviewing photos or changing settings.
-Battery housing door is a pain. I'm not sure if there is any way around this, because the batteries have to have pressure pushing up so they touch the conductive material on the battery door to give your camera power, but it's a pain to close the door. Not a deal breaker, but just something to be aware of because that's also where the SD card resides.
Final word:
If you're a pro, you might look down your nose at this camera. If you're looking at this camera, and reading this review, you're probably just a regular person like me, or a pro who understands what this camera is for. I'm pleased overall so far. I've uploaded a few pics to the gallery. One of a macro shot, one of a panorama, and one of a deer. The deer photo was taken in "landscape" mode, as I forgot to change it and I had been shooting landscapes primarily to that point. The menu is neither a pro nor a con for me. It's not as convenient as a wheel selector would be, but you get used to it fairly quickly.
If you're looking for a camera with a bit more oomph than a typical point and shoot, this is a good bet. If image quality is more important to you than zoom, there might be better options out there. Remember, I found the images to be good, but not great. But for under $200, this is a solid deal if you ask me.
Things I have yet to mess around with:
-Video, supposedly HD, but I haven't tried it out. I think it's also got a decent frame rate which might allow some interesting "high speed" camera stuff.
-Burst mode for action shots. Haven't touched it yet.
-Messing with F-stops or aperature adjustments. Also haven't tried long shutter.
If I do any of these (and remember!) I'll write updates.
Digital SLR Camera nikon d3100 and nikon d5100
Friday, August 23, 2013
Nikon D3100 Digital SLR
Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)
Customer Reviews Nikon D3100 14.2MP Digital SLR
Nikon D3100 VS. D300 VS. D700
For the cost of this camera, I don't think you can get anything better. The low light performance is off the charts. As a wedding photographer I regularly shoot with Nikon's high end professional equipment and I was amazed how close this camera is to a pro camera. Now let me get specific. In order to compare I took a look at 100% files out of each camera I own.
Which camera excels Nikon D3100($Cheap) VS. D300($1600) VS. D700 ($2,700):
* Lens = The D3100 is the only camera that comes with a lens at it's normal price
* ISO Performance = Tie between D3100 and D700! (It could be Nikon's new processing but the JPEG looks fantastic I was shooting D3100 on 6400iso with very little noise at all)
* Low Light Focusing = D700
* Focus Speed = D700
* External Buttons & Controls for Pros = D700
* Menu Navigation = D3100
* Ease of Use = D3100
* Megapixel = D3100 (14.2)
* Sensor size = D700 (Much more important than megapixels but I won't get into this)
* Can use older lenses with functionality = D700 & D300
* Video = D3100 of course! 1080P video looks amazing.
* Frame Rate = D300 at 6 photos a second
* Weight = D3100 (light as a feather)
* Ergonomics = D700 (big enough for all my finger)
Lens:
The lens is a kit lens, it will work outside but not so great in low light. The Vibration Reduction will help indoors but Vibration Reduction can't stop a child or pet in motion indoors. Consider buying a 35mm 1.8dx AFS for around $200 and you will be super happy with this camera.
Video:
I purchased the 3100 specifically to shoot video, so I put on Nikon's brand new 85mm 1.4g Nano lens and shot video with it. The lens costs more than double the camera but I wanted to see how the 1080P video looked. It has the look of a cinematic movie. After the 85mm, I put on Nikon's 50 1.2 manual focus lens and was able to take very cinematic video in manual mode. In order to make it brighter or darker you either need to use a really old lens like the 50mm 1.2 and hit the AE-L (auto exposure lock) and twist the aperture to change exposure. Or you can hit the AE-L button when you get the exposure you like. Its not a perfect system but it works well for me. Inside the menu options you can change the AE-L button to hold the setting until you reset which is helpful.
Jello Cam (What's not so great):
This camera still suffers from the "Jello Cam" look in video if it is not on a tripod and you are shaky. The video can look like jello if moved too quickly. Use a monopod or tripod when shooting to avoid this. I'm not sure if a faster video frame rate 60fps would help - but at 24 and 30 it can suffer badly.
Conclusion:
This is an amazing deal! Unless you make most of your income from photography or have a stockpile of old lenses (this camera can only autofocus with AFS lenses) then this camera is the must have camera of the year. If you have good composition skills and an eye for light you can take photos worthy of a magazine with this. Seriously, you won't regret buying this camera. When you do, do yourself a favor and buy an additional Nikon AFS lens that has a maximum aperture of 2.8, 1.8 or 1.4. These lenses will take better portraits and deal better in low light than the kit lens.
Customer Reviews Nikon D3100 14.2MP Digital SLR
Nikon D3100 VS. D300 VS. D700
For the cost of this camera, I don't think you can get anything better. The low light performance is off the charts. As a wedding photographer I regularly shoot with Nikon's high end professional equipment and I was amazed how close this camera is to a pro camera. Now let me get specific. In order to compare I took a look at 100% files out of each camera I own.
Which camera excels Nikon D3100($Cheap) VS. D300($1600) VS. D700 ($2,700):
* Lens = The D3100 is the only camera that comes with a lens at it's normal price
* ISO Performance = Tie between D3100 and D700! (It could be Nikon's new processing but the JPEG looks fantastic I was shooting D3100 on 6400iso with very little noise at all)
* Low Light Focusing = D700
* Focus Speed = D700
* External Buttons & Controls for Pros = D700
* Menu Navigation = D3100
* Ease of Use = D3100
* Megapixel = D3100 (14.2)
* Sensor size = D700 (Much more important than megapixels but I won't get into this)
* Can use older lenses with functionality = D700 & D300
* Video = D3100 of course! 1080P video looks amazing.
* Frame Rate = D300 at 6 photos a second
* Weight = D3100 (light as a feather)
* Ergonomics = D700 (big enough for all my finger)
Lens:
The lens is a kit lens, it will work outside but not so great in low light. The Vibration Reduction will help indoors but Vibration Reduction can't stop a child or pet in motion indoors. Consider buying a 35mm 1.8dx AFS for around $200 and you will be super happy with this camera.
Video:
I purchased the 3100 specifically to shoot video, so I put on Nikon's brand new 85mm 1.4g Nano lens and shot video with it. The lens costs more than double the camera but I wanted to see how the 1080P video looked. It has the look of a cinematic movie. After the 85mm, I put on Nikon's 50 1.2 manual focus lens and was able to take very cinematic video in manual mode. In order to make it brighter or darker you either need to use a really old lens like the 50mm 1.2 and hit the AE-L (auto exposure lock) and twist the aperture to change exposure. Or you can hit the AE-L button when you get the exposure you like. Its not a perfect system but it works well for me. Inside the menu options you can change the AE-L button to hold the setting until you reset which is helpful.
Jello Cam (What's not so great):
This camera still suffers from the "Jello Cam" look in video if it is not on a tripod and you are shaky. The video can look like jello if moved too quickly. Use a monopod or tripod when shooting to avoid this. I'm not sure if a faster video frame rate 60fps would help - but at 24 and 30 it can suffer badly.
Conclusion:
This is an amazing deal! Unless you make most of your income from photography or have a stockpile of old lenses (this camera can only autofocus with AFS lenses) then this camera is the must have camera of the year. If you have good composition skills and an eye for light you can take photos worthy of a magazine with this. Seriously, you won't regret buying this camera. When you do, do yourself a favor and buy an additional Nikon AFS lens that has a maximum aperture of 2.8, 1.8 or 1.4. These lenses will take better portraits and deal better in low light than the kit lens.
Sunday, May 5, 2013
Samsung NX2000 Preview
Samsung NX2000 Preview
Samsung introduced the NX2000 interchangeable-lens camera, which features a phone-like touch screen and easy Autoshare toggling.
Essentially a slightly more feature-rich version of the NX1100 (which in turn is the NX1000 with Autoshare capability and a bundled version of Adobe Lightroom 4, which also comes with the NX2000). Both are based on the same sensor as the NX210, though the NX2000 has an updated version of the image-processing engine. Samsung says that it results in better image quality and faster performance, and that autofocus performance falls somewhere between the NX1100 and NX300; it's got faster contrast AF, but lacks the phase-detection sensors of the NX300.
The camera incorporates a new 3.7-inch capacitive touch screen, and its interface mimics that of the Galaxy Camera, albeit without the Android. In addition to using NFC to enable quick Wi-Fi connections, it has a dedicated button to toggle Autoshare -- automatic image transfer directly to a linked device -- though the button can be remapped to send directly to another location.
As you'd expect, there are other operational tweaks, including updates to the scene analysis behind the Smart Mode for better automatic operation.
With this model, Samsung is switching to MicroSD, which is a big pain for people who actually remove their media on a regular basis.
14 different SMART Modes, as well as the i-Function controls, offer photographers a variety of ways to creatively adjust and customize imagery and camera settings. Full HD 1920x1080p Movie Recording is standard in 2D with any of the 12 compatible NX-series lenses, but if you opt for the 45mm 2D/3D lens (sold separately), you can also capture full quality 3D stills and movies.
Despite a full freight of professional camera performance specs, Samsung seems most excited about the NX2000's Wi-Fi Connectivity features, which work in conjunction with the Samsung SMART CAMERA App; available for both Android and iOS devices. AutoShare sends photos as they are taken to a smartphone or tablet. Near Field Communication (NFC) technology syncs the NX200 to NFC-enabled Android smartphones and tablets via a direct Wi-Fi connection. You can also use the Direct Link "hot key" to sync up your favorite social networking site, such as Facebook.
Finally, Samsung bundles a copy of the Adobe Photoshop Lightroom 4 with every purchase.
Samsung SMART Camera NX2000 Features
- 20.3 megapixel APS-C CMOS image sensor
- DRIMe IV engine
- 3.7-inch WVGA Full Touch Screen Display
- Full 1080p HD Movie Recording (30 frames-per-second)
- HDMI 1.4a output
- 14 SMART Modes, including:
Best Face
Beauty Face
Landscape
Macro
Rich Tone
Panorama
Waterfall
Silhouette
Sunset
Night
Fireworks
Light Trace
Creative Shot
- 8 frames-per-second fast continuous shooting
- 1/4000th second top shutter speed
- 100-25600 ISO range
- i-Function System
- 3D Still and Movie Recording Capabilities
- Works with 12 NX-series lenses
- Wi-Fi Connectivity includes
SNS & Cloud
Auto Backup
Remote Viewfinder
MobileLink
Wi-Fi Direct (playback)
Samsung Link (previously known as AllShare Play)
Social Sharing
- RAW & JPEG recording formats
- Dimensions: 119 x 64.5 x 35.7 mm
Though an exact street date has yet to be announced, the Samsung SMART Camera NX2000 will be available in black, pink, and white for less than $650.
Sources:
http://reviews.cnet.com/digital-cameras/samsung-nx2000-with-20/4505-6501_7-35755703.html
http://www.steves-digicams.com/camera-reviews/samsung/nx2000/samsung-smart-camera-nx2000-review.html
Panasonic LUMIX DMC-LF1 Preview
Panasonic LUMIX DMC-LF1 Preview
Like many of their competitors, Panasonic has fully embraced Wi-Fi connectivity for their newly announced 2013 LUMIX series cameras. The DMC-LF1 works perfectly with both the Panasonic Image App (available on Android and iOS platforms) as well as the camera-maker's cloud service, LUMIX CLUB. The club, in addition to being a great place to backup and store photographs and videos, allows users to sync their accounts with social networking sites like Facebook, Flickr, Picasa, Twitter, or YouTube.
The Panasonic Image App has a lot of great features too. For example, if you have a DLNA-compliant Panasonic VIERA HDTV, Near Field Communication (NFC) Technology allows you to display slideshows directly from your camera (no wires!). The Instant Transfer function automatically sends photo data to designated electronic devices whenever the shutter releases (or feel free to pick individual images to transfer during playback mode). And, finally, the app allows you to use your smartphone or tablet as A) a remote control to shoot both stills and video -- release the shutter, zoom, focus, and adjust shutter speed, aperture, or exposure compensation -- or B) an external monitor. Very cool.
While Wi-Fi is an excellent bonus, what's most important about the LF1 is that, assuming it reviews like similarly appointed LUMIX models, it promises to take highly-detailed, accurately-colored photographs at a 12.1-megapixel resolution as well as record 1080/60i HD videos. The 7.1x optical zoom lens has the 35mm equivalency of 28-200mm with a F2.0 maximum aperture. iA+ (Intelligent Auto Plus) Mode and the Creative Guide are both designed to help newer shutterbugs accurately capture and frame still photos. And, there are 15 Filter Effects accessible via Creative Control (Filters applied BEFORE stills or video) and Creative Retouch (Filters applied AFTER).
Panasonic LUMIX DMC-LF1 Features
- 12.1-megapixel High Sensitivity MOS image sensor
- 7.1x LEICA DC VARIO-SUMMICRON optical zoom lens
F2.0-5.9
- Venus Engine Image Processor
- 3.0-inch (920K-dot) Intelligent LCD
- 200K-dot Electronic Viewfinder
- POWER O.I.S. (Optical Image Stabilizer)
- 1920x1080/60i HD Video Recording
- Control Ring with access to Manual Controls
- 10 frames per second High Speed Burst Shooting
- iA+ (Intelligent Auto Plus) Mode
- Composition Guide
Diagonal Lines
Tunnel
Radiation 1
Radiation 3
S-Shape
- Level Gauge
- ISO up to 12,800
- Creative Panorama
- Creative Control and Creative Retouch with 15 Filter Effects, including:
Expressive
Retro
High Key
Sepia
High Dynamic
Soft Focus
Dynamic Monochrome
Impressive Art
One Point Color
Cross Process
Low Key
Toy Effect
Star Filter
Miniature Effect
- Wi-Fi Connectivity
- NFC (Near Field Communication) Technology
- AC / USB Power Charging
Panasonic's LUMIX DMC-LF1 should be available in the coming months. Stay tuned for a specific date and pricing. Color choices, thus far, include black or white.
http://www.steves-digicams.com/camera-reviews/panasonic/lumix-dmc-lf1/panasonic-lumix-dmc-lf1-review.html
Panasonic LUMIX DMC-G6 Preview
Panasonic LUMIX DMC-G6 Preview
Panasonic has announced its latest Wi-Fi capable, interchangeable lens LUMIX series camera for 2013. The DMC-G6 is an updated version of last year's well-reviewed G5. For starters, we've still got the 16.05 megapixel Live MOS images sensor with the VENUS image processor, the 3.0-inch free-angle touch screen LCD display capable of Touch AF (AutoFocus), a high quality LVF (Live Viewfinder), Creative Control Filters, and Full HD Video Recording.
But there are a lot of upgrades too. For instance, where the G5 included 14 Creative Filters, the G6 adds five more. And HD video recording has been improved with the ability to natively shoot not only in Full 1080/60p HD, but also the film-like 1080/24p. Then let's throw in new features like Creative Panorama (for capturing the widest vistas in one click), Time Lapse Shot (for recording fluid movement over extended periods of time), Stop Motion Animation (for creating movies one frame at a time), and Clear Retouch (for erasing "unwanted objects or figures in an image by tracing over them on the monitor with a fingertip").
Newbie Photographers will enjoy the updated Advanced iA+ (Intelligent Auto Plus) Mode, which automatically pre-selects optimum camera settings for just about any shooting scenario, as well as Scene Guide, which allows photographers to select one of 23 professional photographs to help frame and set up your own shot.
Saving the best new feature for last, the biggest difference between the G5 and the G6 comes from built-in Wi-Fi connectivity. When combined with either the Panasonic Image app, or Panasonic's cloud service, LUMIX CLUB, users gain access to a whole new set of features and networking capabilities. First, on the Panasonic Image App (available for both iOS and Android devices), use your smartphone or tablet as A) a remote control to shoot both stills and video -- release the shutter, zoom, focus, and adjust shutter speed, aperture, or exposure compensation -- or B) an external monitor. The Instant Transfer function automatically sends photo data to designated electronic devices whenever the shutter releases (or feel free to pick individual images to transfer during playback mode). Also, Wi-Fi Direct uses Near Field Communication (NFC) Technology to display still images on DLNA-compliant Panasonic VIERA HDTVs. Finally, via LUMIX CLUB, G6 owners will be able to sync their cloud accounts with all their favorite social networking sites, such as Facebook, Flickr, Picasa, Twitter, or YouTube.
Panasonic LUMIX DMC-G6 Features
16.05-megapixel Digital Live MOS image sensor
Venus Engine Image Processor
3.0-inch Free-Angle Monitor with In-Cell Touch Technology
1,440K-dot OLED Live View Finder
Full 1920x1080/60p HD Video Recording in AVCHD Progressive
1080/24p HD Video Recording
P/A/S/M Manual Controls
Full-Time AF (Auto Focus)
7 frames per second High Speed Burst Shooting
5fps with AF Tracking engaged
Touch AF
Advanced iA+ (Intelligent Auto Plus) Mode
Scene Guide
ISO up to 25,600
Ready to shoot in 0.5 seconds after start up
Creative Panorama
Time Lapse Shot
Stop Motion Animation
Clear Retouch
Creative Control Mode with 14 Classic and 5 New (*) Filters
Old Days*
Sunshine*
Bleach Bypass*
Toy Pop*
Fantasy*
Expressive
Retro
High Key
Sepia
High Dynamic
Soft Focus
Dynamic Monochrome
Impressive Art
One Point Color
Cross Process
Low Key
Toy Effect
Star Filter
Miniature Effect
Wi-Fi Connectivity
NFC (Near Field Communication) Technology
Though the Panasonic LUMIX DMC-G6 will be available sometime this year, pricing and the exact date are still unknown.
http://www.steves-digicams.com/camera-reviews/panasonic/lumix-dmc-g6/panasonic-lumix-dmc-g6-review.html
Sony Digital Recording Binoculars DEV-50V Preview
Sony Digital Recording Binoculars DEV-50V Preview
30% smaller than their predecessor, Sony has announced the DEV-50V Digital Recording Binoculars. In addition to simple world observation, these digital binocs also capture up to 20.4-megapixel still images as well as HD video in either three or two dimensions. Twin Sony G-Lenses funnel light into dual Exmor R CMOS image sensors and the BIONZ image processor, which, in addition to ensuring vivid and colorful images and videos, helps the camera's super fast Auto Focus (not found on your father's binoculars) and adds a few creative bells and whistles. Although there is no optical viewfinder, Sony supplies twin OLED Tru-finder eyes pieces (2.4 million dots each).
The DEV-50V's optical zoom range is different for video and still images. With a 35mm equivalent of 36.3-2007mm, or 25x, you're going to love the built-in Optical Steady Shot to ensure blur-free still photos. 3D / HD Movies can also access the 25x zoom range, but only with Digital Zoom turned on; for cleaner recordings, we recommend sticking with the 12x optical zoom.
In addition to all sorts of inputs and outputs, Sony's newest Digital Recording Binoculars offer Hyper-Gain Mode, for seeing in ultra-low-light scenarios almost like Nigh Vision, and Sweep Panorama 360, the easiest way to capture wide-angle panoramas.
Sony DEV-50V Digital Recording Binoculars Features
- Twin Exmor R CMOS image sensors with a max resolution of 20.4 megapixels
- Twin OLED Tru-finder eyes pieces (2.4 million dots each)
- Twin Sony G Lenses capable of
- 25x optical zoom Still Photos (36.3 - 2007mm)
- 12x optical zoom Movie Recording
- 3D HD Video Recording at 1080/60i
- 2D HD Video Recording at 1080/60p
- AutoFocus
- Optical Steady Shot
- Sweep Panorama 360
- Hyper Gain Mode
- Micro HDMI Out
- Composite Video Out
- Supplied Accessories
- Rechargeable Battery Pack (NP-FV70)
- AC Adaptor
- Power Cord
- Operation Guide
- HDMI Micro Cable
- Micro USB Cable
- CD-ROM Manuals
- Neck Strap
- Lens Cap
- Large Eyecup
- Finder Cap
- Carrying Case
Pricing and availability for the Sony DEV-50V will be announced shortly.
Source: http://www.steves-digicams.com/camera-reviews/sony/dev-50/sony-dev-50v-digital-recording-binoculars-review.html
Monday, April 22, 2013
Pentax GR Camera: APS-C sensor, fixed-lens compact
Pentax GR Camera: APS-C sensor, fixed-lens compact
It seems large-sensor compacts are the latest trend and Ricoh Pentax has got in on the action with the announcement of the Pentax GR. Based around the Ricoh GR-series - the same company which acquired all Pentax Imaging Corp shares back in 2011 - this 16-megapixel APS-C CMOS sensor based compact has got a whole lot going for it.
Ricoh has always said that it wouldn't release a DSLR camera, and while the company hasn't, it has plonked a DSLR-sized sensor into a GRD-esque compact camera body and stripped out the low-pass filter - much like the Nikon Coolpix A - for heightened sharpness. But unlike the near-£1000 Nikon, the GR will retail for a far more affordable £599. Nice work Pentax.
The GR pairs the large sensor up with an 18.3mm f/2.8 lens - the equivalent of 27.5mm - for a single, wide-angle view onto the world. There's no zoom so the focus is on premier optical quality instead and while this may sound limiting to some first-time snappers, it's just what the doctor ordered for street photography and the like. A build-in ND (neutral density) filter will also mean the wide aperture is available for use in bright conditions, while a crop mode - which uses a smaller portion of the sensor - can equate to a 35mm equivalent output if preferred. Or go the other way by adding the optional 0.75x magnification GW-3 wide conversion lens for a 21mm equivalent ultra-wide shooting experience.
The GR's sensor can capture images from ISO 100-25,600 thanks to the latest GR Engine V processor, while in-body raw data development gives full control wherever you happen to be. With no low-pass filter we'd anticipate that images ought to be even higher quality than the likes of the Pentax K-5 II DSLR which, given the price point, is quite an achievement. However we're yet to use the GR so we'll have to wait with baited breath as to how well it performs in reality.
Capable of shooting at up to four frames per second (4fps), and acquiring subject focus in just 0.2-seconds the GR sounds pretty nippy - though its 1-second start-up time doesn't sound as immediate as it could be.
The GR holds onto the long-standing benefits of the Ricoh GRD series, such as the magnesium alloy frame, but has been redesigned to include an AF and aperture preview button to make for easier everyday shooting.
There's also a hotshoe and an optional electronic viewfinder can be added for £223. Add that to the £599 camera price and it looks like Pentax has just produced a £822 prime compact camera that should rival the best of them. We're rather excited to see more of what this bad boy can do.
By Mike Lowe
source: http://www.pocket-lint.com/news/120515-pentax-gr-aps-c-sensor-fixed-lens-compact-camera-with-599-price-tag-makes-us-want-to-go-grrr
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